I wish I could remember where I read this:
It had been said that the likes of Attila the Hun and Genghis Khan had been good to their mothers. Tales of bad temper tend to grow with each occurrence of the tale told, just like a dropping of soda can on one corner became a dam bursting by the time it reached the other side of the street, or the casual meeting of eyes was a full-blown adulterous affair when it reached the husband.
Specifically the current BBC show, not Elementary, the movies, or anything else.
It starts, as one would expect, with a chapter on how the series came to be, with the long train rides during the filming of Dr Who giving the creators time to come up with this idea. There’s also a bit on the casting; it’s hard to remember Benedict Cumberbatch wasn’t a gigantic star before this show started, whereas Martin Freeman could at least be called semi-famous. Also a big chapter on Conan Doyle, from his start as a doctor and how he based the character on one of his med school professors to him being fooled by fairies. Nothing new if you’re a huge fan, but concisely done for the newbies.
Finally we get to the episodes, with each of the nine given a chapter that includes a synopsis—forget about spoilers, if you haven’t seen them yet you shouldn’t be reading this—highlights, “Did you notice?”, references to the original books, interesting facts, nitpicks, and bloopers. Since I’m a huge fan of the books, I like how the author compares them to the filmed version; shamefully I admit I missed some. There’s also plenty of interviews to keep things fun.
All in all, there’s really nothing here that a fan wouldn’t like.
A few weeks ago I reviewed the second book of a series about an actress who wants to become an FBI agent. It was so good I had to read the first one as soon as possible.
While I liked the character of Nikki—and her character of Annika—just as much, the plot wasn’t quite as good. For one thing the story was much slower, with less action until the end. Since it’s listed as more of a romance, the main characters don’t like each other until they give in to the sexual tension. The best part for me was the psychology when trying to get the little girl to talk, and the reasons she doesn’t. From a more personal nature, my favorite moment was Nikki wearing a UCLA cap.
So while I didn’t find it as good as the second book, it’s still a great character-driven story. You’ll fall in love with Nikki’s sense of humor and love of life.
Note: the last quarter of this book is the pilot episode of the series she’s filming, so the book’s a bit shorter than expected.
Girl From Above
Hard to say no to a book where the publicity blurb proudly compares it to Firefly AND Blade Runner.
There are two main characters, who alternate chapters in first person: we’ll call them the Captain and the Robot. . . no, not a simple robot, but a very sophisticated android called 1001, who is part River, part 7 of 9, and part Pris from Blade Runner. (Wow, who knew I was so genre-savvy?) There’s also a homage to The Empire Strikes Back when they hide in an asteroid field.
It’s all very cute, but it didn’t really grab me like I thought it would, especially considering its DNA. Perhaps I’m just tired of characters who are too stubborn for their own good, but there were too many moments where with a little smarts the Captain would not be in all these messes. So it’s fair to say I liked the android and the Inara/Zoe/Wash copilot a lot more.
Some time ago I read a book that to me seemed like a close copy of Firefly, with just a few names changed. The difference here is that I was told about it beforehand, and in the end it didn’t turn out to be all that much except for a couple of the characters. They also tell you this is the first in a series, so I wasn’t surprised by the lack of definitive ending, unlike others I’ve skewered for exactly that reason.
Star Trek: The More Things Change
This is a novella, and therefore a pretty fast read; don’t be angered when it finishes quickly.
In a nutshell, the Enterprise is taking delegates to a conference—yes, you’ve seen that plot before—when one of them gets sick and needs to be taken to a ship of her own kind for treatment. Piloting the shuttle is Spock, and trying to take care of the secretive delegate without much success is Christine Chapel.
It’s specified, more than once, that this story takes place a few months after the events of the first Star Trek movie, so Spock is still suffering the effects of his mindmeld with V’Ger. He seems to be even more emotional here than in Wrath of Khan, as though he’s trying to incorporate emotions into his life but isn’t sure how to do it yet. Chapel, for her part, is ambiguous about remaining on the Enterprise after McCoy comes back to take over the medical section again. The McGuffin here is a Trill named Dax, though of course not the more famous one; she’s not the one whom McCoy had some fun with in a previous story, but it is the reason he orders Chapel to go on this mission in his place.
There’s one mention of the uniforms they’re wearing, but it wasn’t enough for me to tell if it was referring to the pajamas of the first movie or the silly overdone red things from the second and on. There’s a little action as they’re attacked and followed, but mostly it’s a psychological study on the motivations of the two main characters for continuing their roles on the Enterprise.
It’s a bit difficult reading this while remembering the Starfleeters don’t know anything about Trills yet. There’s also callbacks to the Galileo episode of the original series, as expected considering the plot and Spock’s place in it. Most likely this novella would only be enjoyed by diehard fans, possibly casual fans, but definitely not the place for those who don’t know much about Star Trek.