Lindsey Stirling LIVE!

No way to put into words how amazing and majestic the Lindsey Stirling concert was, even a week later. Magical might touch on it just for starters, and I’m not referring to her being sawed in half and suddenly appearing in an empty box, though she did that too.
So, we’ll see if my vaunted memory is up to the task of going song by song. . . probably not, considering the Meet and Greet is all a giant blur. And with the events of that week, it was a most welcome escape from reality, even for only a few hours.
And if you wonder why there’s no photos or videos here, you can pick any of these three reasons (though you should probably lean toward the last): A. I simply wanted to enjoy every moment. B. My phone’s camera is crappy. C. We were told before the show started, to the point of signing a release form—and it was pretty obvious during—that the concert was being filmed for DVD release.

Meet and Greet
Due to my back going out that morning, as it usually does once or twice a year—I really shoulda stayed in bed, but couldn’t miss this—I sat down at one of the few tables while everyone else lined up, so I would be last, which was fine with me. Kit didn’t look tired as he took the book I’d brought to be autographed as well as my cane, and thankfully Lindsey still looked fresh as an electric daisy violin as she asked me my name and gave me an unsolicited hug; the only reason I know this is because Other Lindsey took a photo of it, I swear I don’t remember. I asked if we could get into a tango pose, but never got to do it fully—check photo header of this blog—before she signed the book and a poster. She asked me if I was a dancer, no doubt due to the tango pose, which was really the last thing I wanted to talk to her about. Frankly, the whole thing seems like a blur now; I’m surprised I remember that much.

Soundcheck: Mirror Haus
After a lot of questions answered yet leaving many not—due to time constraints—this song is played in a Spaghetti western version, as she calls it, the main difference being Kit playing an acoustic guitar rather than keys.

Opening Act: The Federal Empire
Two guitars and a keyboard make up this band. These guys are much better live than when I checked out their music on the internet. Just sayin’.

1 The Phoenix
I was already spoilered to the big reveal, so I don’t mind telling you I knew that wasn’t Lindsey playing at the beginning of the song, at the top of the six-foot-tall center-stage pedestal that looks freakin’ dangerous. Instead she would come out of the back of the auditorium; the only question was on which side would she mount the stage. . . and even that wasn’t as much of a mystery, since I’d seen a roadie place some portable steps pretty much in front of me. So yes, I was looking around waiting to see her pop by while everyone else’s eyes were fastened on the stage. Saw some security people first, and then the spotlight hit her, maybe twenty feet away from me; not all the close considering she’d given me a hug a couple of hours earlier, but much cooler as this time she was playing the violin. A little later she actually apologized to the women she’d scared while coming toward the stage.
Once on stage all the dancers joined her with violins in front of the bottom screens, creating silhouettes as if to continue disguising which one was the star, but since she’s always in the middle it wasn’t that hard to figure out. But the most fun was watching Drew crashing the cymbals like they’d vastly insulted him, as well as her enjoyment of pizzicato. . .

2 Electric Daisy Violin
One of the few of my old faves that she did, though this one’s all about the music; she uses the same choreography she did in the music video, which is pretty rudimentary. I just love how joyful this song is, and her beatific smile playing it.

3 Prism
With the release of the music video for this song, cleverly named “The Violindseys,” just a week or so before, there were no surprises in the choreography, and in fact the video ran behind them as they danced/played; it even started with her booty shake. And this is when I first noticed Savannah was my fave dancer, as I ended up watching her as much as Lindsey. Somehow the music seemed to flow more smoothly than the studio version, and even though I liked this one before, it feels even catchier now.

4 Shatter Me
The first costume change—or maybe she just threw the pink tutu on over the shorts and suspenders ensemble—leads into Lindsey singing for only the second time, doing a soft harmonizing version of the chorus before it breaks into its usual hard rockness. The 3-D gearworks on the screens. . . obviously they fit the song, but felt they went on too long. The landscapes didn’t help either; it wasn’t till the globe shattered that it really worked. Really nothing here that makes it better than the previous version.

5 Lost Girls
Though it’s billed as a sequel to “Shatter Me,” what happens to the ballerina after she escapes the snow globe, it doesn’t really come through here. Instead we get one of the dancers—Malece, in this case—being bullied by the others as she tries to join their choreo. There’s a lot of floating lights as the innovative front screen is used for the first time. If I’m remembering correctly, a dark figure—played by Ashley—gives her super dance powers or something, and then she’s accepted. . . but then I really wasn’t there for the story, so whatever. As with everything, it’s really the music that matters.

6 Elements
Lindsey has a lot of fun in this one, with giant bubbles coming down on the front screen; she either jumps into them or kicks them out of existence. Lots of interpretive dance to fire and rain. I’ve only seen this on video before, but it looks like it’s the same as before.

Interlude Video: Everything Goes Wrong
In the great tradition of her “Diva” and “Wet” videos, here’s another brief comedy where Erich the stage manager lets her know that among other mishaps, Luna peed in the shoes she’s presently wearing. When Kit drops pickle juice on her tutu it’s the last straw, and even when she thinks she has everything back in control she has to steal a little girl’s tiny violin in order to make it to the next song.

7 Tiny Violin Medley
“Gimme an A,” she asks Kit, who dutifully plays it on his toy piano as they sit cross-legged at the front of the stage. It takes a while for the tiny violin we saw in the video to be tuned to the point where she can play the first song she’d ever learned, the same song everyone learns no matter the instrument; even I’ve played it on the harp at a festival. Kit joins her on “Twinkle Twinkle Little Star” while Drew does the Rock Out finger gesture. From there they go into a medley of vaguely familiar songs that are either from video games or movies, all done for the cute, and it works.

8 Something Wild
Like the first few times I heard “Shatter Me” without the lyrics, this takes a bit of getting used to without Andrew McMahon telling you to follow your heart. It’s also different with Kit playing acoustic guitar rather than keys, making it sound completely folksy. By now I’m thoroughly used to Drew’s cajon, though. Lindsey actually does more dancing here than on the video.

9 Gavi’s Song
After a touching ramble for those who don’t know about Gavi, she launches into a lovely rendition of this amazing dirge. The abstract visuals help a little, but it’s the music that matters here. #WeAreGavi

10 Those Days
The second part of the Gavi tribute features clips of them together, and completely overwhelm this simple but catchy tune. All good, though. My fave piece is included, where Gavi holds out the side of his hand and Lindsey uses a finger to bow across it, a violinist’s version of a fist bump that leaves her laughing. Another highlight comes from a documentary where she’s overwhelmed by the pressure and Gavi comforts her. Then the dancers join her in flowing white dresses in a more classical dance than the modern versions done so far. These two pieces were so lovely, a welcome break from the big show.

11 Crystallize
Like “Tom Sawyer” at a Rush concert, Lindsey always plays her breakthrough hit, with the ice castle on the screens. Can’t say for sure if it’s the same choreography, but likely. Sadly she didn’t do her signature limbo-winning backbend, where her ponytail touches the floor; maybe it’s gotten old for her.

12 Hold My Heart
For most of the audience I would bet this was the highlight, regardless of what their favorite song is. It starts with the dancers, in beautiful costumes, putting on a small vaudeville/Keystone cops skit while Lindsey does a costume change. Never figured out which song that was playing on the old-timey piano, but after having some fun with magic wands—Malece goes crazy and then gets the only non-floating stick—they go into the audience for a can-can, bringing up a guy to dance with them. When he sits down Addie offers him flowers, which she of course pulls away at the last moment. After doing that twice, she’s the one who’s surprised when on the third try it’s Savannah who steals the fake bouquet and runs back on stage. This is the most playful they get, so I enjoyed the hell out of it.
Okay, by now Lindsey’s ready in her circus ringmaster outfit, though the tails are much longer than her shorts. . . probably for a reason, as we’ll find out soon. While we’re gawking at the surprise appearance of ZZ Ward to sing the song live, Lindsey and her dancers are preparing for the first trick, which has the petite and bendy violinist being cut in half. Good thing they matched shoes, because it was really convincing, at least to someone who doesn’t know how the trick is done. Even better, a few minutes later, rather than disappearing, Lindsey appears in a previously empty-except-for-violin box, which is a tougher trick to do; she makes it look easy, and the music never falters.

The Luna Show
Luna Latte sits and stays like a champ, but truly shines when she walks and spins. According to Lindsey, the best she’s done all tour; she’s having a proud momma moment. Extra bacon for the puppy on me!
(Okay, if you’ve read this far and don’t know Luna is Lindsey’s dog. . .)

13 The Arena
My favorite song from the new album is next, with full-blown Teddy Roosevelt quote to kick things off. The front screen is again employed, with a lot of images formed from what looks like sand, as Lindsey plays on the pedestal; I don’t know if that’s a callback to the video or if she knows arena is Spanish for sand. At one point she kicks out and the sand-man giving her lip dissolves. Large words appear, much like in Transcendence in a previous concert. It closes with the final, most important part of the quote, and Lindsey runs off for another costume change as Kit plays us out on a soft almost-romantic keyboard version of the theme.

14 Mirage
Lindsey appears on the pedestal in semi-sari, joined by the dancers wearing more Arabian Nights garb for definitely Indian-inspired dancing. Mandala-themed images play on the screens; even without the music, there’s no doubt what inspired this song. A contraption known as an invisible chair is now on the pedestal to make Lindsey look like she’s floating; the falling skirt hides it well. The dancers bring out giant red feathers to envelop the star at the end.

15 Stars Align
After a short “You guys have been amazing!” she runs to the top of the pedestal with the customary starry scenes behind her as she plays her usual closer, not forgetting the Britney Spears-like dancing interludes. Malece does her weird flips that always look like she got it wrong and fell on her ass, followed by the fun footwork that makes this song so good despite how silly the music video was.

Encore: Roundtable Rival/Don’t Let This Feeling Fade medley
Some people still don’t know you don’t leave the concert after the “last” song. When the lights come back up Kit is making an electric guitar scream before starting the familiar riff, quickly joined by Lindsey to jam on the pedestal for a few seconds, leading into what has to be her most recognizable song. A leap from four stairs up signals the start of the Wild West danceoff, with scenes from Westerns playing behind them.
As the music turns to the next piece—I hate that song—the dancers go behind quickly brought-out screens to take off their western duds, leaving them clad in neon sports bras. Lindsey’s clothes also show off plenty of neon as the dreaded rap goes over and over. It gets a little surreal as the dancers do some tap steps around Lindsey’s playing, until she comes down to join them with one more snippet of the Roundtable Rival chorus.

The feeling might not fade, but the music does. After dancer intros the entire crew comes out to bow, including a Drew split and a crewmember backflip. Drew tosses a drumstick to Kit so they can each throw one into the audience, and we’re done. . .
From what I’d seen online, I’d been afraid the visuals would be too much, the music too loud, the lights too bright; too impersonal. That we wouldn’t get the same girl-next-door best-friend Lindsey that we all know and love. Thankfully it wasn’t like that at all, once again proving that a live show is way better than a video.
Doesn’t mean I’m not going to buy the DVD when it comes out. . .

Tell me what you think I need to know. . .

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