If you read the blurb and expected this to be like “Back to the Future”. . . you’re right. The first panel alone made me think it. A little later there’s a part—let’s call it homaged—from “Terminator.” And just to make sure, there’s this line: “Roads? We don’t need roads!”–“We do too need roads! Dumbass!”
I wish I could tell you what this was about, other than time travel, but it would be easier to tell you what it’s NOT about, as the plot jumps around everywhere without rhyme or reason. If it wasn’t for the humor I would have quit just a few pages in. One of the characters says, “I am so lost. . . figuratively speaking, I mean. . . okay, literally too.” Join the club.
So I stuck around for the jokes, having given up on trying to make sense of it. There’s silly stuff, like “Teddy! Move!”–“Okay, but I’ll need some boxes!” Then there’s the ever-popular “Hooray for A.N.A.L.!” and “I’m keeping my eye out. . . also my penis.” We find out about the author’s fixations with the lines, “Perhaps I could interest you in some mouth pleasure?” and “Is he requesting. . . mouth love?” How naïve is the defective robot guy? He says things like, “You said a swear!” And I also “have so much sympathy for Pac-Man right now. . .” My two faves were “I was too follow to drugged” and “Horse’s ass of the apocalypse!” which was the most brilliant thing I’d read that day.
Even the cops get their jokes, like playing “One two three not it!” “We’re coming in! I can’t guarantee Frank won’t shoot anyone.”–“Jesus, Al, let it go.” “Target evaluation: Kinda sad, really.” And what are “medium warning shots?”
According to the recap—one huge star just for including it!—this is about how alien cows took over the planet, with one guy particularly happy about it because of the love that dare not moo its name. The protagonist looks like Peter Griffith if he REALLY let himself go, but hey, he’s the hero, gotta root for him. And since cows are racist too they make really good bad guys here.
“Steve, you’ve returned.” Oh boy, this writing is not instilling confidence early on.
Some of the jokes you can spot from a continent away. For example, I had a feeling the scientist was screwing with him about inserting all the stuff from the time machine. Likewise the “Who’s your daddy?” twist. Thankfully a lot of it is inspired funny lunacy, like the hero’s weapon of choice being a t-shirt cannon; awesome in some circumstances, not so much in others. And spike strips should not be used on humans! Owwie! (There’s a close-up, in case you had any doubts.)
“Way to think on your feet, Wayne Brady.” Wow, that’s a reference I never thought I’d see. Definitely not often Amazon and Obama get slammed back to back, and that’s probably a good thing.
Plotwise there’s nothing new here—except with cows—and a lot of it doesn’t make sense, but it’s so madcap the sense is it was never meant to in the first place. Just be on the lookout for the jokes, which are sometimes too-far or too-soon but always hilarious.
Big Nate: What’s a Little Noogie Between Friends?
This comic strip is consistent in bringing the funny, and that’s all you can ask. Whether it’s soccer, table football, Star Trek: The Next Generation. . . Nate always finds a way to pull a screw-up from the jaws of victory. You’d think it couldn’t get any worse for him than his crush moving away, but when he ends up at the movies next to his nemesis—and they’re mistaken for a couple!—noogies hardly seem to matter at that point.
Bizenghast Collectors Edition V.1
After a newspaper cutting to set the scene—thank you for that!—the story is told through pencil sketches and grayscale, in which an orphan girl claims ghosts haunt her. Deemed crazy, she escapes her aunt’s house with a boy and they explore a cemetery, finding an underground cathedral-like place that they really should not have entered. From there each chapter takes them on a different mission to help bring peace to ghosts, picking up some snarky advisors along the way.
She might have been a crazy shut-in, but she’s got an amazingly huge wardrobe, while her guardian moans about not having money. She even spouts life lessons such as: “I can do anything with the right outfit.”
That snarky little mask-faced creature easily steals every scene. Communism is bad for your eyes. . . or is that television? He was the most entertaining, with lines like, “Remember we’re parked in level. . . ocean.”
There’s over 500 digital pages and the story’s still not over! Though to be fair the drawings and panels are bigger than most. Toward the end the format changes to a more serialized story, which rapidly becomes confusing.
While the artwork is minimalist, some of the drawings are beautiful. Dinah at one point is wearing a peacock inspired dress that would have been so beautiful in color.
The author included some notes at the end, basically celebrating weirdness; this is not the first time I’ve heard a creator refer to a second version of their work as a “director’s cut.”
To put it succinctly, this was more interesting than I expected.