Poetry Tuesday: Wulf and Eadwacer

Subtitled: A Woman’s Lament

If you were somewhere in England in the early 700s—and who amongst us wasn’t?—you might have heard this story, or possible as a song.

It is to my people as if someone gave them a gift.
They want to kill him, if he comes with a troop.
It is different for us.
Wulf is on one island I on another.

That island, surrounded by fens, is secure.
There on the island are bloodthirsty men.
They want to kill him, if he comes with a troop.
It is different for us.
I thought of my Wulf with far-wandering hopes,

Whenever it was rainy weather, and I sat tearfully,
Whenever the warrior bold in battle encompassed me with his arms.
To me it was pleasure in that, it was also painful.
Wulf, my Wulf, my hopes for you have caused
My sickness, your infrequent visits,

A mourning spirit, not at all a lack of food.
Do you hear, Eadwacer? A wolf is carrying
our wretched whelp to the forest,
that one easily sunders which was never united:
our song together.

;o)

Book Reviews: Violins, Bricks, and Justice

(Not me. . . overheard)
“I’m wearing sweaty bags. . . what?. . . oh! Baggy sweats! Baggy sweats! LOL!”

Gone
A world-class violinist writes about growing up as a Korean prodigy in England, losing control of her life and career to various Svengali types, and most importantly the theft of her Stradivarius.
As a photographer I’ve grown attached to several of the many cameras I’ve used in my career, but never to this level. On the other hand, there aren’t any cameras almost 400 years old, let alone considered the pinnacle of technology. It’s apparently much different with violins—and not just the famous Strads—as Min Kym goes into a devastating depression when her partner in music is snatched away at a restaurant. Despite how she describes the feeling of losing her violin, you can tell that’s just the tip; her real feelings. . . there’s no words for it. And the way she wrote that scene was intense! Worthy of a thriller. I instinctively feel sorry for her, but I know she wouldn’t want that.
There’s plenty of other stuff here that’s equally painful, but just as much is uplifting, even humorous. There’s a little piece on why she loves Kreisler that was fantastic. The psychological insights, both from the violinist and the human being, are astounding, and the writing is so smooth, like a languid Vivaldi phrase.
Whoa, I’m really blown away. Far beyond any expectations when I started this. It reminds me a lot of Lindsey Stirling’s book, even though because they’re from such vastly different worlds it comes across as quite dissimilar.
This is most likely going to go on my list of top books of the year.
4.5/5

Kiss the Bricks
The first book I read in this series was Red Flags, and despite it being the fourth it was a perfect introduction, so much so I went back and read the others. I write this in order to differentiate it from this new book: do not start the series here.
This entry takes place at the most famous speedway in the world, where Kate has just set top speed in the first practice session. It turns out that a few decades before there was another female driver who’d done the same thing, and from there most of the book becomes dual, with chapters alternating between the past and the present. Because of this the action is slow to start, and if you aren’t into racing and know the good stuff is coming, it might be a bit boring. There are also some parts that are rather mean-spirited; I get that the misogyny is part of the story, but too much is depressing.
As for the mystery, I guessed the bad guy pretty early, as well as who was leaving the notes. Much more of a guess, I nailed her qualifying position. (Yes, I celebrate every accomplishment, no matter how small.) And there’s a great moment in the middle of the race that, while nowhere near as good as winning the Indy 500, would be a sweet consolation for any driver, especially if you’ve followed Kate through her previous adventures. And there’s a subplot that sets up nicely for the next book, making me anxious to read that one too.
I want to stress that I still ended up enjoying it, just not as much as the previous one. At least it picked up as it went along. It’s in no way bad, but I think it’s a step back in a series that had before this improved with each outing.
3.5/5

From Ice to Ashes
A thief forced to go legit on a spaceship quits when his mom gets sick, and goes right back to stealing when he’s back on Titan, one of Saturn’s moons.
There’s a gruesome fight scene to start, and it’s not called back until half the book had passed, so I had to go back to remember it. The story doesn’t get any less grisly, mostly because Kale always tries to come off as tough with nothing to back it up. It’s really just sad, and a bit depressing, though I figured the author had done this so he could grow later on.
It took a while for the plot to show up, by which time I was wondering if I should continue. Fortunately it got better. . . until a big plot point about three-quarters in, which I absolutely hated. Like this whole book wasn’t depressing enough. . . I get that it’s done to set up the protagonist, make him angry. But how is this going to make me want to read more of this? Perhaps the words I should use is invested. I invested in this character, only to be tossed aside.
There’s nothing wrong with the writing, which is as good as the previous outing from this author that I’ve read (though I don’t remember that other book being like this). The world building in particular is done well, despite never getting a good picture in my mind of life on Titan, or on the spaceship. The plot is a bit weak, and it’s obvious there’s going to be a series, considering the ending. I just didn’t like the depressing tone throughout.
3/5

Tough Justice
In the prologue a mad bomber tries to blackmail a man into going public with his sins in order to keep the bomb from going off. We never hear about those two again, as the rest of the story has FBI agents looking for the bad guy, with little to go on except that at each bombing someone was told to leave before things go boom.
It’s difficult to give a grade to part of a story, though it helps to know going in that it wouldn’t finish here. The set-up was okay, and there’s good characterization of the lead, though I do wonder what’s causing this sudden—welcome—surge in fictional female FBI agents.
3/5

;o)

Travel Thursday Snapshot: Copenhagen Thermometer

Having been born and raised in Southern California, I reach for a hoodie when it gets into the 60s. Oddly enough, I like cool weather, as long as I’m warmly dressed. My hands and feet don’t like it, but my legs don’t mind, which is why often you’ll catch me wearing shorts with gloves. As long as my nose and ears can take it, and the wind isn’t so bad, I’m good to go even in the low 50s.
Of course I did some skiing in the local mountains, shot the Vancouver Winter Olympics—really wasn’t that cold—and most of all did Arctic training in the Marines, where I learned the secret to going to the bathroom in freezing weather: don’t. But that was with the highest tech gear available, and with all the running around I was actually sweating as long as the wind chill didn’t get through the balaclava. So I have been in cold weather before, even ridiculous stuff—I only lasted two hours on Antarctica, but that was partly due to the smell of the penguins—but am in no way used to it.
It was early November as I took the shuttle to LAX, wearing my heaviest jacket because it wouldn’t fit in my luggage. Of course it had to be 104 in the city of beautiful angels that day, but by the time I landed in London it was exactly half that, so I ended up needing the jacket and was glad I’d put up with the sweat to start.
A few weeks later I was in Copenhagen, fully enmeshed in the story A Ton of Redheads, which you will find earlier in this blog history. It was a rare evening alone, so for once I didn’t have a redhead telling me which club to head to. Instead I wandered from the center of town, where the train station was, though not taking the Stroget this time, as I knew it well by now. I’m sure my fantastic sense of direction kept me from getting too lost—could always grab a taxi back anyway—but all these years later I can’t remember just where I was when I stopped to take a photo of something most tourists probably didn’t notice.copen
If my math isn’t as bad as usual, that thermometer on the building had it in the low 40s, but that was early in the evening, and the night was just starting. Take a look at the little kid in the right foreground, blimped up like the Michelin Man, to tell you what his parents thought about the forecast. (I later went over to see what he’d found on the ground that was so interesting, but it must have moved on.) I do remember walking down that street, looking for anything that caught my eye like I do in Berlin or Zurich or many other places. Perhaps I wrote something down in my journal about it, but there’s nothing that comes to mind in my brain about anything I saw there, which means nothing bad happened either. As long as I kept walking I didn’t feel much cold, until my ears and nose couldn’t take it anymore. At a certain point, not having any fun, I said screw it and flagged down a taxi to my hotel, knowing I had a full day of redheaded fun to come once the sun came up. . . and warmed things up a bit.
;o)

Book Reviews: Graphically Challenged

Blue Hand Mojo: Hard Times Road
A half-dead magic man walks the slums of Chicago in 1931, helping out an old friend while trying to regain what he’d lost, or more likely sold, to the devil.
This is the first time I’ve heard the term Hoodoo noir. As far as the artwork, it translates into harsh black and white drawings, though some of the work is intricate. When it comes to dialogue, which appears on the side of the drawings, while he mostly speaks usual, he’ll also bring out stuff like “I likes my liquor” and “I’m starvin’ for some beans, so spill ‘em.” So in other words, not that different from regular noir.
The magic stuff was all sorts of confusing. The only clear moment is him using cigarette smoke to make it happen. His girlfriend’s sorcery is a lot more intriguing.
This would have been much more awesome if it had been named Mississippi Golem or some such.
3/5

Mer
Angry-at-the-world redhead and creature of the sea find each other because of their matching necklaces. There’s some evil creature that looks nothing like Ursula out to get the merpeople, because a certain part of their anatomy goes well with wine.
This had possibilities, but all the high school drama makes it hard to like. I get how I’m supposed to feel sorry for her, but she and her friends act so stupid at times. This is probably for young teens, because with anyone older I imagine a lot of eye rolling. And the scene where someone is sneaking up on them just left me cringing; did the author really write such dumb characters on purpose?
As for the artwork, the bright colors make it looks like a vintage comic, like Archie or some such. At the end there’s some early designs and small articles about the mythology of the sea.
3/5

The Castoffs, V.1: Mage Against the Machine
Clever subtitle.
All black and yellow to start as a group of semi-super fighters take on killer bots destroying what looks to be a European town. Soon enough it switches to a full color fantasy where a healer in a far-off land asks for help when people are losing their memories. She sends three students to help, with the warrior always bickering, the scout too insecure to say anything, and the healer surreptitiously controlling the warrior with her inside voice. When they’ve figured out why they were chosen for this mission they quit their bickering and go all Wonder Twins—or Triplets, in this case—powers, activate!
There’s some good stuff, like the history lesson around the campfire, and more importantly some sly humor; “Why am I getting licked?” Wrong potion, happens all the time. My favorite part was “You have your dad’s eyes.” Talk about an easy distraction, like “Luke, I am your father.” But I’m not a fan of all that squabbling, so that even when they got it through their heads to work together I was already disliking them too much.
3/5

DC Essential Graphic Novels 2017
First off, great cover of Wonder Woman reading a comic while easily winning a tug-of-war against a bunch of guys, including Superman and Batman.
After an intro with the Flash stopping a comic book store robbery, there’s 25 Essential Graphic Novels; quite a bit of Batman, but I like that Gaiman’s Sandman was included. Each major character gets a page, but not much info. Even Suicide Squad shows up, no doubt because of the recent movie. There’s a section on Page to Screen, starting with Wonder Woman, also as expected considering that movie will be out soon. TV shows like Supergirl, Flash, Arrow, and a couple of my faves—iZombie and Lucifer—are here as well.
Wow, MAD magazine! And a section on collectibles. There’s also a large section at the end, over 30 pages, that lists a recommended reading order, plus a selected backlist, but if you’re that much into comics it’s stuff you should already know.
As a catalog it does its job. As a guide for those entering the comic book world, it’s good too. Just don’t expect it to be an actual BOOK.
3/5

;o)

Book Reviews: Graphic Pencils

“I make a mean sandwich.”
She cooed, “I make a mean sandwich happy.”

Britannia
A Roman soldier is manipulated by the chief of the Vestal Virgins to become the first detective in history, unless the ancient Greeks had stories they didn’t bother to tell (long shot). Then Nero sends him to the British Isles to find out what’s going wrong, thinking it was actually his idea.
Starts with a history of the Vestal Virgins; seems like far too many of them were blonde. The story quickly moves to northwest Europe, with plenty of blood and gore, as well as magical Druids and devils, so it’s certainly not a straightforward history.
There’s this one panel of artwork that I find so spectacular—though I can’t explain exactly why—full width with a flying sword. You’ll know it when you see it.
In between the chapters are scholarly articles on the Vestals, centurions, Nero—was he really that bad? Yes and no—and Roman Britain.
3.5/5

Letter 44 V.1 $10 Trade Edition
Pseudo-Obama takes over for pseudo-Bush and finds out there are aliens in the asteroid belt who no doubt will invade Earth at any moment. There’s also a mission sent to check out the aliens, launched three years ago.
There’s some really good scenes among the expected storyline; the briefing from the scientist in charge, the three questions guy, for example, was brilliant. I laughed at the baseball breaking the White House window and scaring the Secret Service. Sending conspiracy bad boy on a tour of every embassy is such an awesome twist. And there’s a very cool artistic effect on the flash-bang.
I’m liking the way this is written, though the plot may be too much. Thought there might be something to the scene when General Johnson comes in for the briefing, since they’re talking before the secretary leaves. . .
The scientist repeating that all of them were volunteers is rather ominous. . .
Sadly it ends at a critical juncture; get another ten bucks ready for volume 2.
Almost 20 pages of dossiers on some of the players, creator bios dressed as White House correspondence, and ads for other books.
3.5/5

Small Favors: The Definitive Collection
A lesbian who can’t stop with the self-loving is told to cut it out—there’s a lifetime allotment of masturbation? Wonder if there’s an actual number (asking for a friend)—and is given a helpful little blonde imp to keep her fingers and dildos in check. Little Nibbel is also helpful in letting me know the next section is a dream sequence, so thank you! Plus she’s really cute, incredibly funny in her naiveté. She’s the best part of this, playing a big part in the stor, as well as defining the title.
For me the other best part was how the author wasn’t afraid to break the fourth wall of get meta. Something as simple as “Bet you had to shower after that one!” makes for a big guffaw. Even when the author doesn’t know where to go with the plot we’ll get a line like “Who was that girl on page 104?” I thought it was the neighbor, but I guess I was overthinking it. And I also wondered who was taking the photos.
Very explicit sex is depicted, which is for the most part fine, though I’d be remiss if I didn’t mention that, had it been a man taking her so roughly rather than a blonde pixie with a strap-on, there’d be all kinds of protests. There’s a small interlude of Nibbel doing herself on a lightbulb that made me laugh so much. Spaghetti and wooden spoons just got a lot more sexy, but it helps if you have a Barbie-sized pixie playmate. And the safari story was extra hilarious, along with the dramatic cry of, “Alas, we are exposed!”
There’s about 15 pages of early sketches and outtakes at the end, the best feautring Nibbel playing Rock ‘em Sock ‘em. . . better yet, Nibbel being playfully attacked by the dialogue bubbles. . .
Most of it is done in simple black and white sketches, quite effective. When it at a certain point turns to color, it’s a little jarring.
It’s a fun read, if nothing else because it treats sex, especially lesbian sex, as fun. Another reviewer nailed it by calling this “innocent and lighthearted.”
4/5

The Life After V.1: $10 Trade Edition
Groundhog Day turns into a time travel back to what looks like 19th century England. Then things really get crazy. . .
Then Ernest Hemingway shows up. . .
My initial thought was “That lady sure has a lot of handkerchiefs. . .” Every little thing is controlled in this Orwellian world, so when he steps out of the usual routine to return the handkerchief everything goes crazy, and the story behind the story unfolds.
“I was talking to the dog. . .” Saw it coming, still made me laugh. The dog also does the best sideways-head-tilt puzzled I’ve ever seen in a two-dimensional character. Plus he’s a tease. . .
What kind of people are in charge of this crapsack world? “Let’s see if we can find someone taking a shower or something. . .”
You can see it in Hemingway’s face: “Surely you must be the son of god. . .”
This volume one finishes on a pretty big reveal.
Creator bios and ads at end.
3/5

;o)