Moonlit Kit Video Shoot Photos

So last Saturday I found myself heading to what eventually turned out to be a small horse ranch near Vasquez Rocks, north of Los Angeles. There was a small stage, a rickety gazebo, and a few horses along with some fans and friends of the band who’d come to help shoot the video for Moonlit Kit’s new song, Simple Ways.
I volunteered mostly because I thought it’d be fun, and because I haven’t been on a shoot in a long time, but also because Kit Nolan is Lindsey Stirling‘s keyboardist/guitarist whom I’d briefly met at her concert last year. Seemed like a cool guy, and I liked the song, so why not? I didn’t expect Lindsey’s drummer Drew Steen to show up as well, but that just made for all the more fun.

Okay, on to the visual beauty:

This band has both flair and flare.

Director Christine likes close-ups

Too many jokes to settle on just one.

Daniel often has to duck under the bass.

Drew chillin’ with Kit’s replacement should Moonlit Kit hit it big.

Kelly doing her strut to the stage.

Violin Bass Guitar.

Kit showing off the heroic chin.

Gazebo decorations.

Ryan into his jam.

Tyler workin’ the bun.

;o)

Travel Thursday Snapshot: La Plaza Mexican-American Museum

Today’s travel only took me an hour from home, but since I went after visiting my mother at the nursing home, it felt like a lot longer.
This museum is located across the street from the Plaza in downtown Los Angeles—itself across the street from Union Station—which is most famous for containing Olvera Street. If any of you bothered to read my one and only food review, you’d know that place was Juanita’s, right here on Olvera Street, so that had to be the first stop. It’s easy to tell when you’ve been to a restaurant a lot when the moment they see you they yell to the kitchen, “Bean and cheese burrito!” I had to straighten them out: “That’s just my nickname, not my real name.”
After some talk with the owner about missing Comic-Con, I set off for my usual after-burrito soft serve, then on to the museum, which is across the street from the gazebo, almost next to the church, if you count the open area between them. The first thing I found out was that it’s free, though there is a donation box. The young lady behind the desk smiled and told me what I could expect and to make sure not to use a flash if I took photos. Sounded a little rehearsed, but I wasn’t going to hold that against her.
So on to the many displays on the first floor, reminiscent of the museum style of the Autry Museum of the West in Griffith Park. The first part deals with social issues, like racism in the 40s and school segregation.

After that it’s more about the history of the area, including videos and sound bites. Also on the ground floor is a space for art exhibits, the current one concerning art works from those who refer to themselves as Latinx artists, which is a term I’m unfamiliar with but apparently stands as either gender-neutral form of “Latin” or LGBT for Hispanics. . . or possibly both. There were a couple of particularly intriguing works, as well as quotes; the one that really made me laugh was the guy calling Frieda Kahlo the original Queen of Selfies.


On the second floor is a space, again reminiscent of the Autry, made up of store fronts, the most popular for me of course being the photo studio; now I know what my professional life would have been like 100 years ago. The other favorite was the book store—remember, kiddies, in Spanish Liberia does not mean Library; that’s Biblioteca—which also sold music. The grocery store was fun too, as I looked for things I might like and had to settle for vanilla—spelled differently here—chamomile, and cinnamon.


So, overall not a bad way to spend a couple of hours, especially in the heat of summer. I might have to cross the street and get another soft serve from the lady that’s always reading. . .

;o)

Book Reviews: Kiddie Mega-Mega Pack

“Not a bad start,” as the serpent said when he swallowed the toe of the hippopotamus.

The Tide is Coming In
A family spends a day at the beach, some relaxing and others building a sand castle. . . a big fancy one. When the tide comes in there’s crabs and seaweed to contend with, and then of course the tide itself.
The best character is the really helpful dog.
Nicely painted, but not much of a story. I can almost hear the kiddies asking, “Then what happens?”
3/5

ABC Train
As you would expect from the title, this is in standard “A is for—” format, with the first page being “automobile” and “backup,” as in traffic jam. There’s two letters for each page, and they rhyme, which works well. The story is held together by the presence of the train, which rides from one land to another, entertaining the kids on board.
Some pages go sideways, but the worst is the one with the bats, with the lettering completely upside down. I’m usually pretty good at reading that way, but it was impossible to make this one out without giving up—sigh—and turning it over.
Painted in early 90s TV cartoon style, with a lot of edges.
4/5

Animal Family Portraits
If I understand this correctly, the author picks two animals who don’t seem to have all that much in common and combines them to a make a third, completely fictional animal. It’s written out and it doesn’t seem like it’ll work, but then you turn the page and see the family portrait—wonder if they had them made at the mall—and you think, “Yeah, okay.”
An antelope is wearing scuba gear. That might be the first time that phrase has ever been written. The toucan, penguin, and puffin wear silly hats. The most obvious, and therefore the best ones, are panda and platypus.
3.5/5

Annabel on the Go
Annabel likes to pretend she’s someone different each day. Each page shows her doing something different: artist, baker, detective, doctor, etc. Her cat usually joins in on the fun.
This is likely the most rudimentary art work I’ve ever seen, short of stick figures, but it actually doesn’t hurt. The girl has a giant imagination and it’s shown perfectly here.
3.5/5

Best Beast
A girl wants to win a contest so her family can go to the beach. Unfortunately it’s for pets, of which she has none and they’re too poor to get one. So the local crazy lady gives her a rock, and things go from there.
The artwork is more like colored sketches, but the newsflash here is the giant Pinocchio noses everyone on this family sports. Not the pet or the neighbor, just them.
This was cute, except for the part where her parents gave in way too easily.
3.5/5

Her Majesty: An Illustrated Guide to the Women who Ruled the World
“You don’t necessarily need a crown (but they sure are pretty).”
Mostly matter-of-fact with a few instances of trying to be funny. They read like a basic Wikipedia entry dumbed down for kids, which is fine, considering who the target audience is. Hatshepsut goes first (although it’s spelled “Hapshepsut” here) so it seems it’s going to be in chronological order. Boudica is another fave, but then I do love redheads. Lakshmibai was the most intriguing of those I didn’t know; not sure why the inclusion of Gandhi was there, as no other entry had a man sharing the splotlight.
Interesting tidbit: It was Victoria who started the white wedding dress trend, no surprise if you think about it. But too bad Queens Christina and Wilhemina, as listed at the end, didn’t make the cut, and it’s certainly a huge surprise Cleopatra wasn’t included.
The drawings are beautiful, and not an inch is wasted. It does make the script look small, though.
3.5/5

Letters from Santa: A Christmas Alphabet Book
The title is a great pun. Learn your ABCs with Santa, telling you about traditions of Christmas while rhyming well.
Some of the verses don’t say much, too abstract, but in general should be fun for the kiddies.
The illustrations are done on postage stamp backgrounds, with some throwback style; 50s or 60s or something like that. It’s cute.
3.5/5

We’re Going to the Farm
Simple singalong of all the things you can do on the farm: ride horses, roll in the hay, play with animals, etc.
Just as simple artwork, nothing fancy for the kiddies, but It shouldn’t matter as the singing is the highlight.
3/5

Once Upon a Tree
A small story, no doubt meant to be read out loud, about a leaf who’s happy at the top of a tree until birds and caterpillars and the like make him question the true meaning of his life.
This is by far the most emotional leaf I’ve ever known, prone to fits of drama and jealousy and most of all self-doubt. He finds himself at the end, but he’s gonna be in for a big surprise when a shoe crunches him. . . and no, that’s not a spoiler.
3.5/5

Tall Tall Tree
A Northern Spotted Owl introduces the book by saying that until recently humans didn’t know what a thriving ecology could occur so high up in trees, with many different animals living or visiting.
The rhymes are inventive, following the usually more hilarious conceit of what would be the last word in one stanza starting off the next. Each verse describes a creature that lives way up there, though there’s only so much information you can include in three lines (the fourth is always “And now comes number x”). The second line has to rhyme with the next number, so no doubt that was a little difficult for the author.
I can only describe the artwork as lush, with tree bark and green leaves, bushes, and ferns dominating. The owls are a little dark, but the detail is wonderful, the banana slugs just as horrifying as in real life (try eating a chocolate banana slug, I dare you). The ladybugs, on the other hand, were cute. But you really need a vertical view to understand the size of these trees, especially when there’s drawings of tiny humans at the bottom. I first read this on my desktop, then downloaded it to my tablet; the text is better on the former, the paintings on the latter.
At the end are many facts and details about redwoods, as well as an invite to go back and look through the artwork for other animals (I’m guessing the author didn’t bother to try rhyming any numbers further than ten).
4/5

Daytime Nighttime (All Through the Year)
Rhyming stanzas, surrounded by trees and plenty of greenery, tell the reader about what certain animals do, told chronologically with one daytime and one nighttime creature each month.
With the need to rhyme there’s not much room for description, making for a flowery pose that seems designed more for being read aloud than actual learning for the young’uns.
You don’t often find weasels included in kids’ books.
At the end there’s a match game to see if the reader remembers which animals are paired in which month, followed by more facts about each animal and a page actually called “Teachable Moments.”
3.5/5

I Give You My Heart
A little boy in what appears to be rural Japan finds a store on the way to school and zeros in on a wooden box. The owner gives it to him and then promptly disappears. The kid can’t get the box open until his seventh birthday, when he wakes up to find it ajar. Anything else would be spoiling, but it has to do with cycles of life and passing the torch from one generation to the next.
The artwork is kinda hard to describe; best I can come up with is muted watercolor, vaguely impressionistic but a little more lifelike than that. Sometimes I find it beautiful, others mundane. The only problem here is the incredibly tiny text.
3.5/5

Rivers, Seas and Oceans
Starts with a photo of an island with kid drawings of birds, the sun, a boat, fish, etc. added to it. After that it looks more like a textbook, with photos, drawings, fun facts, and little quizzes.
“A penguin is very tasty to an orca.” Don’t know why that made me laugh. And they’re drawn just as cute here, though only when their wings are out. . . then penguins, no the orcas.
After the intro there’s chapters on different kinds of water, oceans, and seas. The contrast between the Carib and the Med seem almost day and night. Iguazu Falls is featured a lot. Yellowstone makes an appearance, as does the Grand Canyon, along with more famous watery places like Venice and Hawaii.
3.5/5

Santa, Please Bring Me a Gnome
A little girl knows what she wants for Christmas and is not swayed by a trip with mom to the toy store. Grandma is much more understanding; the dog might not be, though. She doesn’t get what she wants in the end, but it all works out.
Sweet story.
The artwork is what you would expect for a pre-school level: simple and broad.
4/5

That Looks Good on You
A children’s book about the history of fashion. Okay. . .
What age group is this for when they’re expected to know what avant-garde means?
The rows of hairstyles and hats remind me of picking out the perfect emoji.
Then it actually does portray clothes throughout the ages, though the attempts at context aren’t enough. (At the end there’s a timeline that offers time, place, and what the clothing is.)
Hard to see the point of it, when you could be teaching kids something more valuable.
2/5

Where Is My Coat? Jungle Animals
Animal silhouettes want you to guess what they are. . . and help them find their coats, as the title spells out.
For the most part it’s incredibly simple, so this would be good for really young kids. The artwork is playful. I really can’t think of anything else to say, as it’s so simplistic and yet just perfect the way it is.
4/5

;o)

Book Reviews: Rush, Librarians, and Sports

Banged a knuckle and yelled “Son of a–” Then saw a woman glaring at me with a kid, so I finished with, “Preacher Man.” (It pays to know music.)

On This Date
After an intriguing and thought-provoking intro, the book moves to one usually-long-forgotten historical anecdote a day, much more interesting than any one-small-page calendar. Some are more or less expected, even if the particular date wasn’t known, but the fun is in the topics that would usually have no right being in a serious history tome.
Some of my faves. . . okay, a lot of my faves:
March of Dimes (Wow!); Rudolph the Red-nosed Reindeer; Tokyo Rose; Lou Hoover; Edmund G Ross; Oppenheimer; Massacre on the Tuscarawas; Sherman and Johnston; Columbine; Jingle Bells; the low-altitude barrel roll in a 707; the birth of the Smiley; We Shall Overcome; Marshall wins Nobel Peace Prize; Jack Robinson and Pee Wee Reese (“someone with the guts NOT to fight back.”); Carson McCullers, Karen Blixen, and Marilyn Monroe walk into a lunch; Theodore Geisel (“He was a political cartoonist all his life, meaning he managed the difficult task of being amusing to kids and adults.”); Princess Bride (even Mark Knopfler gets a mention!); and “Surf music is just the sound of the waves being played on a guitar.”
Did not expect the author of a non-fiction history book to go meta, but in one entry he writes about Philadelphians booing their cricket team as a reason the capital was moved to DC. . . then, “Well, no, I was just seeing if you were paying attention.”
4/5

Rush: Album by Album
The title tells you everything you need to know: a bunch of Rush fans got together to shoot the breeze about each of the many studio albums. . . except these guys are either incredibly familiar with the band from working with them, or are musicians—some in tribute bands—music journalists, or similar.
Intriguing forward by the author, but then I’d expect no less when it comes to my favorite band. Oddly, the book isn’t all that long, even with tons of photos, from album covers to concert fliers to pages from comic books! (As graphic novels were called back then, kiddies.)
Not a fan of Dream Theater, but Mike Portnoy seems like a fun guy to hang out with: “The way most kids my age were staring at a Playboy centerfold, I was looking at a Modern Drummer centerfold and salivating over the whole kit.”
The one downside for me was a lot of musical verbiage that went way beyond my understanding, especially about drumming. Was also surprised by how short the Moving Pictures section was, considering everyone calls it the band’s seminal album. As I’m sure every reader/fan will think, they spend too little time talking about my favorites and too much on those songs I hardly ever listen to, if at all. Still, there are nice things said about The Pass and Bravado—yes, among my faves—especially Geddy claiming the latter is his fave to play live. There’s also a great feeling when someone says something I’d already thought of, such as the addendum in Ghost of A Chance. Most of all, the agreement of The Wreckers being such a beautiful song made me smile.
The last 15 pages or so list the contributors, offer a bibliography, and end with a pretty thorough index.
3.5/5

This Is What a Librarian Looks Like
Subtitled: A Celebration of Libraries, Communities, and Access to Information
When I started this I thought it would be quick and easy; boy, was I wrong. The format is a photo of a librarian followed by a short quote, with some longer articles to break up what eventually becomes monotony, though once in a while a cute line appears, like “ultimate search ninjas.” For those who have a stereotypical view of what librarians do—or look like—this will change that completely. Very few of the women shown here, for example, wear glasses, and even though I’ve only seen one with a pierced nose in person, there’s plenty of oddly-painted hair and such in here.
But it’s the longer stories that are the highlights. The doll-lending program has to be the cutest thing ever. Amy Dickinson and Cory Doctorow chime in with great articles, but if I had to pick a best, it would be the Montana Bookmobile.
There’s also a fascinating intro, in which the author says: “What made the library of Alexandria great wasn’t just the collection of books, but rather its intellectual raison d’être: the insatiable pursuit, creation, and dissemination of knowledge as a force to drive civilization.” Nothing more to say after that. . .
4/5

Battle of Arnhem
In what might be too short to even be called a novella, a veteran of the battle recounts his experience, filled with death, destruction, stupidity, and black humor. There’s tons of tiny details, some of them incredibly interesting.
“It was explained that, when we arrived, we would most likely be disappointed as all the fun would be over.” Wonder how often soldiers have heard that.
For such a short story, there’s a ton of detail. There’s also more to it than just the battle, as after his capture the author was taken to Dresden, along with 500 other prisoners, and was there for the famous firebombing.
But more than anything it gives you the grit and emotion of being that close to an enemy who’s trying to kill you just as bad as you’re trying to kill them. This is exceedingly rare in modern warfare; even as a former Marine I find it hard to imagine what these soldiers went through.
But some things never change, like the incompetence of staff officers, whom he disses over and over.
3.5/5

Women In Sports: 50 Fearless Athletes Who Played to Win
Though it clocks in at 128 pages, it felt a lot longer. Formatted in tiny chapters, each section of prose is accompanied by a cartoonish painting with hard-to-read words in tiny script floating around the outsides. It mostly just states facts in a boring manner; every chapter starts with “she was born on” and then “she started to play.” They are good intros to each person, but the lack of style is such that I doubt it would inspire anyone to find out more. I realize this is for kids, but it underestimates the intelligence of its young readers.
The only chapter that I found remotely interesting—not that the women weren’t interesting, it’s the presentation that lacks—was about the final game of the 1999 Women’s World Cup, where over 90,000 spectators packed the Rose Bowl to watch the United States beat China in penalties. Why did I find this interesting? Because I was there.
3/5

;o)

Poetry Tuesday: In The Microscope

By Czech scientist/poet Miroslav Holub, 1923-1998.

Here too are the dreaming landscapes,
lunar, derelict.
Here too are the masses,
tillers of the soil.
And cells, fighters
who lay down their lives
for a song.

Here too are cemeteries,
fame and snow.
And I hear the murmuring,
the revolt of immense estates.

;o)

Book Reviews: Erotic Carpenters, Pilots, and Students

Again, rather than post something witty that happened to me today—usually at my expense—for the erotic reviews I invite you to search out photos of Black Widow from the Captain America Winter Soldier movie. . . but then you might never come back, so read this first.

Not Safe for Work
A corporate woman shows her new boss around the office on a weekend, and they end up having sex there. Turns out big boss, the cold humorless type, has cameras installed and saw the whole thing, firing her. . . but not him. Hmmm. Turns out there was an ulterior motive, but in which direction is he jealous?
This is a novella, short enough that I didn’t have time to make notes, write down impressions as I went along. On the other hand, it was short enough to remember. The one thing that really annoyed me was that she hated the big boss for firing her, yet oh so willingly let him have her, even if her lover was part of it. By the end she was claiming to love him. That didn’t strike me as anywhere near true; this would have been simpler if she’d done it just for the sex, or even to please her boyfriend. This three-way relationship was just too dysfunctional to bear.
2/5

Blackmail
Yale student misses class because she was asleep in a common room. She hears her TA coming and hides in the closet. Then she watches him having sex with a guy she can’t stand. Assuming it’s rape, she records it, gets caught, and is forced to participate and also be taped so everyone can have blackmail material on each other.
I thought I’d become used to having multiple points of view, but in this case it was a bit confusing. Perhaps it’s due to Julian and Tristan’s names being too similar. As for the writing, there’s a really long philosophical discussion that made me want to tear my eyes out, while also making me glad I didn’t actually major in philosophy despite getting easy A’s in the two electives. I’d rather read about Mia playing the piano again.
On to the characters. I wish Tristan hadn’t been pushed so far into jerkass territory than I found him unredeemable. Mostly he’s, to use Mia’s words, “spoiled and self-important because his parents are ridiculously wealthy; used to getting his way because, although I am loath to admit it, he is unnaturally gorgeous; and predisposed to treating people like a means to an end.” Julian seems to be weak-willed and will go along with whatever they tell him, which is unusual as he’s the oldest. He was meh at best. Mia seemed cool at times—liked her but didn’t love her—at least when sex isn’t getting the best of her. I certainly didn’t like her basically giving Julian a free pass for all the crap he put her through. She had the potential to be a smart character, but too often her mind failed her; annoying.
The ending just seemed weird to me, both what happened with his illness and the keys; might have been more dramatic in the sequels had she declined and Julian was forced to ostracize her in public while still wanting her. Even the sex scenes left something to be desired.
2/5

Cockpit
A female airline pilot approaching her sixties comes across her old high school boyfriend sitting in first class on her flight to London. She eventually meets him for a drink in their hotel, not expecting anything to happen because he’s wearing a wedding ring, as well as their ages. Boy, was she wrong.
Interesting that, after quite a few mentions of age at the beginning—mostly with her wondering if she could be sexy enough—it was never mentioned again, certainly not during sex. Though her self-doubt was understandable, there seemed to be too much of it, especially in her rivalry with a flight attendant half her age who’d screwed her now ex-husband. A little more of London would have been nice too.
In the end it was cute but no big deal. Extra points for having an older couple, especially the sex scenes in offbeat titillating places like the London Eye and the flight simulator. But other than that it seemed pretty standard.
3/5

Drilled
Beautiful construction worker goes in to work on a weekend, expecting to be alone—“No one had listened when she’d pointed out the problems at the time and now they were at the wire. They didn’t listen because she was a woman”—only to find herself being ogled by two rich businessmen. Erotica ensues.
For once the cover actually fits the story!
Danni loves doing construction, and it gives her a connection to her late father. She’s got a greedy, though in the end understanding, matronly mom and a horrible stepdad. I don’t remember her having any girlfriends, though I might be forgetting. Still, she seems more well-adjusted than most of the heroines in this genre, so I kinda loved this character. The two rich guys weren’t total jerks, for once, though of course there’s the inevitable miscommunication near the end that has to happen before the happy ending.
For the most part I enjoyed this. Not happy with them throwing their money at the stepfather, especially after what he said to her on the phone; he didn’t deserve it, especially considering he never apologized. Other than that, there was a lot of fun dialogue between the three when not having sex, and included some quickly-inserted fun characters–when they dressed her up and took her to lunch, for example–that, had their story been longer, would have been fun to get to know. But perhaps they’ll have their own stories later. . .
4/5

;o)

Netflix Fun, July Edition

As always, little snippets of reviews from stuff I saw on Netflix or Amazon or Vudu or whatever, which didn’t do enough to get me to write up a whole big blog about each of them.

Timer
Cute premise: in the near future, technology will be available to let you know when you’re going to meet the person you’re destined to spend the rest of your life with. The movie follows a cute Emma Caufield— easily recognizable from her Buffy days, though the character is far different—as she goes from hopeful, waiting for her timer to wind down, to by the end done with the whole deal. Yes, it’s a comedy.
First off, let me say that due to my only listening to independent music—except for Rush—I hardly ever hear any songs I know playing in movies. But then, Meiko really doesn’t qualify as independent anymore, does she? All to say that there’s a perfectly placed snippet of her Piano Song at the beginning.
More to the point, the movie is surprisingly sweet, and funnier than expected. And the reason I watched it in the first place—Michelle Borth—can always be counted on to bring the Bohemian, even when in a hospital in Afghanistan, as she did in one of her series. Emma Caulfield carries what’s really a light frothy movie, though the dramatic and emotional parts are also well done.
Here’s the thing: that’s what I thought about it the first time I saw it, a few years ago. In fact, I gave it a 4.5/5. But now I watched it again and felt completely different about it. I did notice some things that escaped my view the first time, like the hilarious Matchmaker Patty; I would hate that woman in real life, but I love her here. And all the people in the credits have timers too, producers and everyone! That was really funny. And a fantastic line I missed the first time, or simply didn’t remember it: “My eggs! They can hear you!”
But then we come to the one thing I don’t like about this movie: as funny as Michelle Borth can be—“Tell me what you did or I’m gonna pee on your bed!”—everything Emma Caufield has to do is so cringeworthy, far into butt monkey range. Even from the start there’s so much awkward, and it’s just too painful to watch.
So yeah, I liked it a lot more the first time, and if I were to combine the scores I’d now call it a:
6/10

Particle Fever
Ever wonder how a massive supercollider is made, then used? Find out in this movie.
The first visage that caught my attention came right away, as during construction of CERN they’re lowering a huge piece—five stories tall, if I heard that right—that is surprisingly in the shape of the Millennium Falcon. But despite how long it took to build the Hadron, that’s not the main point of this film. Mostly it follows some physicists, both on the ground there in Switzerland and around the US, as they eagerly await the start-up and then the results while trying to explain to the audience exactly what’s going on and what they hope to see.
Though the scientists interviewed throughout are pretty good communicators, giving great lectures, most of it still goes over my head. There was one eye-opening explanation of how important the experiments are, how it might even be the end of physics if they get it wrong. Then there’s Monica screaming, “We rocked!” She’s my fave. But the best line had to be “Jumping from failure to failure with undiminished enthusiasm is the secret to success.” And funniest moment was during the interview while driving: “And I missed my exit.” Or else the baby screaming while everyone was listening to what they’ve all been waiting for. But something that also needs to be mentioned is just how painful that rap was. . .
Some of the CGI is hokey, others are pretty cool. The graphic showing the Higgs at the middle of the wheel is the best explanation I’ve seen so far. There’s also a bit of theater at certain points, like when they tried so hard to make “first beam” so dramatic. And near the end, so much cheering and even Beethoven’s 9th for numbers changing on a screen—just seems funny. Would have liked to see how the reporters reacted to this, because for me it woulda been anticlimactic.
Totally expected Dr. Higgs to get emotional, but that was also the most touching moment. And then it ends with a shoutout to one of my favorite movies, Cave of Forgotten Dreams!
8/10

Thor 2: Dark World
As I’ve stated before, I’m not much for the superhero genre. If I’m watching one of these it’s usually because there’s an actress I like—in this case two—or it’s something that I simply can’t pass up, like Wonder Woman. So I try not to get too wrapped up in reviewing these, but in the end can’t help it.
Though Thor has appeared in The Avengers, and showed quite a bit at the end of the first movie, it’s here where you see how much the character has matured. He actually laughs when he’s teased now. There’s a little bit of character development to Sif as well, but Jane. . . not so much. Darcy is Darcy, but that’s okay, that’s what she’s there for. It’s Selvig who changes the most, but not in a good way, although I’m sure the actor enjoyed running around in his underwear.
As always in these kinds of movies, there’s too much speechifying by the bad guys. Around halfway through I thought, “Now I see why Loki’s in this: comic relief!” More fool I. Certainly not sorry about what happened to him—Selvig speaks for me—or what we thought happened to him, anyway.
As you might expect, I watched this for Natalie Portman, and she did not disappoint. There are some moments in here that prove she’s underrated on her comedic side. Jane has sequestered herself in labs—or chasing tornados—for so long she doesn’t seem to know how to act around strangers, mostly to hilarious results. Her excitement at going through the Bifrost leads her to give Heimdall a totally informal “Hi!” which is a great harbinger to when she does the same later to the Queen. . . who by the way is her lover’s mom, but she’s too nervously excited to realize it in that moment. But her best line is probably “I like the way you. . . explain things.”
I also love Kat Dennings, who just like on her TV series doesn’t seem to be acting at all, simply being her usual snarky real-life persona. She actually has great chemistry with Hemsworth, the best example being when she asks him “How’s space?” so he can laconic, “Space is fine.” His best moment, though, is likely when, after a great pause, he throws out, “So. . . who’s Richard?” followed by Jane’s exasperated “Really?”
Hair color change and an accent can do wonders; how many recognized “Chuck” as Fandral? If anyone saw Zach Levi in the short he did for The Adventures of Basil and Moebius, he’s got the exact same accent and character here.
The one thing I genuinely loved is the music. Appropriate heroic themes, even for those spoiled by John Williams; the horns in particular were pretty tasty. The one thing I most disliked was how dark it was, in this case more literally than spiritually or psychologically. Ultimately that’s the fault of the director, but you wonder if the cinematographer ever said anything. Best scenery was during the end battle in London, as well as the boat/ship chase.
Most of all, though, the bad guy wasn’t that interesting, and the plot was all over the place. Didn’t like it as much as the first.
5/10

Star Trek: Beyond
The second reboot film was so disappointing I skipped going to this when it was in the theaters; that’s the first time that’s ever happened to me with Star Trek. So my expectations were pretty low going into this.
As usual nowadays, Kirk gets to be a total butt monkey at the start, though in this case it gives him a chance to be angsty. The part where we see Sulu meeting up with his husband and kid was nicely done in that it wasn’t a big deal, just here it is and moving on. But more than anything it hurt to see Anton.
Another part I’ve always disliked is seeing all the dead when the Enterprise is blown up—literally. Too much showing of bodies floating off into space. It does seem to be a staple of these movies, going all the way back to Wrath of Khan, but this is one way all the series, and their lower budgets, have it better. And what’s the deal with yet another Enterprise biting the dust? Seems like the name is bad luck!
Random thoughts:
I lived for the moment I could hear Spock say “horseshit.” I can die happy now.
No way Kirk could be beamed while on the motorcycle at full speed.Gimme a break. It’s one thing for Chekov to have done a difficult beam in an earlier movie, but remember that here they were using 100-year-old transporters.
My fave character was Jaylah. “Do not break my music!” And her taking the captain’s chair, reportedly adlibbed, was classic. And at the end when she says “Aye’ to Scotty. Love that she’s going to Starfleet Academy, where she won’t be anything like Kirk, I’m sure; hope she breaks the demerits record.
Best unexpected visual: Chekov tapping his foot to the “classical” music.
Kirk says he couldn’t do anything without Spock, but no thanks for Bones? He was the pilot who saved his ass!
Shohreh Aghdashloo always brings it; she’s the coolest commodore ever.
That photo of the original crew: awww. . .
Idris did his best with a villain that though appropriately motivated didn’t really hit as a classic bad guy. I suppose allowances have to be made for a script that was hastily rewritten.
As always I stay for the credits, and noticed that the actors are listed alphabetically, with Cho first. That’s lovely.
While I have no complaints about the music—soundtrack, I mean; not the choice for destruction—I have to say the sound effects were more memorable. They spent a lot of money and time on that space station, but some of that CGI budget might have been better served during the battle inside the crushed Enterprise, which simply came out too dark. But other than that it was a pretty enjoyable movie that would have done well as a two-part episode on one of the series.
7/10

Iron Man
Completely forgettable. I wrote two notes, and one of them said Gwynnth has never looked better than in that blue dress at Disney Hall.

Iron Man 2
More of the same. Only reason I watched it was because I thought that was ScarJo’s best look and wanted to see it in all its undiminshed glory.

Star Wars: Rogue 1
Like I mentioned about Star Trek above, this is the first Star Wars movie I did not go see in the theater; glad I didn’t.
Rather than dole out the exposition in small chunks, there were too many places and too many people at the start. Despite the great idea of placing it right before the start of the original movie, the writing is mostly unoriginal, as were most of the plot points. The best line had to be the “samurai” getting a bag placed over his head. “Are you kidding me? I’m blind!” And while I don’t have anything bad to say about the acting—other than Forest Whitaker overdoing things, to my shock—it’s telling that the most memorable is Wash. . . I mean, Alan Tudyk playing a robot.
They tried to make a big moment out of the Vader unreveal, but it was. . . underwhelming. But easily the worst scene was the attack in the rain, with the characters being completely stupid, especially Jyn yelling out “Dad!” You had a character with street smarts galore and you have her do something like this? The whole scene was one idiotic choice after another; it felt like the writers simply wanted to get this over with and move the movie along.
Another thing I didn’t like about that scene was the darkness, although part of it was no doubt due to the rain. But that was more than made up for by the location at the end, Scarif, especially the establishing shots from above. Maybe I prefer the Seychelles a little more, but you certainly can’t go wrong with filming in the Maldives, and I doubt any of the actors complained about it, other than the long trip. What’s weird is that according to the credits they also filmed in Wadi Rum in Jordan, and I’d just been there a few months ago. Not that deserts look all that different from each other, and since the King of Jordan once appeared on an episode of Star Trek: Voyager. . .
Can’t say I noticed the music at all. That’s not a bad thing, but really, what can you say about the first Star Wars movie not scored by John Williams?
The whole thing felt rushed, despite the slow pace at the beginning. They took some time to give her a backstory, but since it ended up in the plot—i.e., her father—it doesn’t really count. About halfway through, my thought was “It’s okay, but glad I didn’t pay to see this in the theater.” At that point I was calling it between a 5 and 6/10, keeping in mind that I gave Force Awakens a 7 and enjoyed it a lot more. Then the battle in the rain happened. . .
Some critics, and even the composer, have written about this movie having a lot of heart, but I frankly didn’t feel it. Maybe in the Imperial traitor who brought the message to Jyn, but that’s it.
4/10

;o)