Overview
Ever since the Dragon Tattoo made its mark on the worldāno punāthereās been an explosion of mystery books, movies, and TV shows from Scandinavia. I think Iāll call it EuroNoir, when you add in the new waves from Germany and France.
Writing
Great, another brooding damaged cop. Heās great with facts and conjecture, not so much with people. Iād make a sarcastic remark about that being new, but why bother?
The plot is both difficult and, ultimately, ingenious. Itās hard to believe there are people crazy enough to plot such an elaborate revenge after so many years, especially over something that happened as a child, but then this villain was clearly never in his right mind. On the other hand, he did have a clear view of what killed his parents, and I have to believe the cause of the crash could have been written better; even a little girl couldnāt have been so dumb, and how come she wasnāt wearing a seat belt?
As I will mention more below in the directing section, the opening scene, involving a shootout, was all kinds of wrong. The three cops deliberately do not wait for the backup they know is coming. Once inside they find a dead body and put away their weapons. I was actually shouting at the screen, āYou havenāt cleared the building yet!ā and a second later guess what happens.
There isnāt all that much thatās funny here, but at the same time it wasnāt nearly as dark as I thought it would be, especially considering the first part and the hostage situation.
Directing
Thereās a big fail at the very beginning: the shootout is simply not well done, in that you canāt tell who gets shotāother than the bald guyāor where they come from. At first I thought it was the main character who caught the bullet in the head, but even had he survived that he didnāt have a scar after that. More to the point, I should not have had to wonder.
But props are deserved for the shots in the pressure chamber. It would be a pun to call it atmospheric, but even if the interior views were not done inside an actual chamber, they were appropriately claustrophobic.
Acting
Think Dr. House, if he was even more weary yet dogged.
Though the lead is good, probably the best performance goes to his assistant, Assad. Considering how the main character was at the beginning, itās telling that by the end he and Assad are almost buddiesāhe even cracks a smileāespecially after all the crap Assad has to put up with from him.
Another contender for best performance has to go to the victim, who stayed strong enough after three years of captivity and atmospheric pressure to shoot him the finger. It was hard to reconcile the character in the flashbacks where sheās a young vibrant politician to how she was by the time she was rescued, but she does a great job in showing the fortitude. Itās almost insane.
A special mention also goes to the actor playing the victimās brother, a mentally impaired young man who then had to suffer through the added horror of seeing his sister abducted. Thereās a moment where he goes from almost catatonia to screaming in horror that you canāt help but be amazed. . . once your heartbeat settles down.
Cinematography
As to be expected from this type of movie, itās dark and brooding, showing parts of Copenhagen tourists donāt see. This is one of my favorite towns, and while I didnāt expect shots of the Nyhavn or the Little Mermaid, I didnāt recognize one single vista, not even in the establishing shots. Other than their brief trip to Sweden, you donāt see the beauty of Scandinavia.
But once resigned to that, itās easier to make out individual choices. There are some shots, for example, that come right out of the horror genre. Almost as creepy are some of the establishing shots in the insane asylum, though the garden certainly looked cheery in the sunlight. Perhaps the most intriguing set was the basement office, with its labyrinth-like stacks of beige files; at times it looked like a sepia filter.
Music
Right away the tone is set with the creepy atmospheric music accompanying the opening credits. Other than that thereās nothing to talk about, as I donāt remember hearing another note the whole way through. . . which is not to say there wasnāt any music, it simply didnāt penetrate my brain.
āFeelā
After a slow start the movie gets better and better, until by the end youāre rooting for them to find her. It helps that it stops being about the detective and his hangupsāother than a few brushes with Assadāand narrows its focus to the mystery.
6.5/10
;o)