“Do I have to carry you?”
“Would you? Careful on the steps, I’m fragile everywhere except emotionally.”
Red Team: Double Tap, Center Mass
After whiling away the hours in traffic talking about her relationship—and chasing after a guy who runs into a pole—the two cops who’ve been punished for something that happened in the first issue come across an entitled brat with gang bodies in the trunk of his speeding car, which of course leads to all kinds of red herrings and tangents and conspiracies before they finally discover what’s up.
In case you ever wondered, being shot in the head will not stop someone from having sex.
My fave scene was him gently ripping into the SWAT guys for failing to clear the crime scene. On the other hand, I’m getting tired of the cliché of cops not clearing crime scenes due to lazy writing. . . just sayin’. Another highlight was the stroll through the art gallery, which was all kinds of awesome.
The sex scenes are intentionally hilarious. For instance, that’s one happy voyeuristic dog on the couch! There’s funny usage of arms and legs to block naughty bits, and how can she not be the perfect woman when that kind of “pillow talk” gets her hot?
I’m surprised that such a convoluted story actually wrapped itself nicely at the end. Still a tough ride to get through, and there were a few plot holes that would have brought it to a screeching halt if they hadn’t been ignored, but it wasn’t as bad as I feared after the slow beginning.
As far as the artwork goes, these are some really bright colors for this genre.
Over twenty pages of sketches and scripts.
Lady Stuff: Secrets to Being a Woman
A series of cartoons about. . . well, you already know if you read the title.
Since this isn’t a story, it’s much easier to simply say there were a lot of hilarious moments here. This may be the funniest thing I’ve read all year. Some highlights:
The matching eyebrows (it literally made me laugh out loud).
“Pick a color” at the manicure place.
“My bed is warm.”
She lost me at “guac.”
“Summer cuddles”—not a name—is spot on.
How not to eat cookies.
Talking ice cream, no matter how cute, is friggin’ scary.
See, this is what I’ve been saying about garlic all along!
Sometimes when she’s in the blanket she looks like the cute little seal girl from Song of the Sea, but other times she looks like a nesting doll.
It’s all done in really simple drawings, but then this is about the humor, so it doesn’t matter.
Heart and Brain: Body Language
First, as far as the author’s pen name, I would like to point out that I’ve never met a Yeti who wasn’t awkward.
Second, I’ve read a previous collection of this comic strip, so I’m coming in with full awareness as to the brand of humor.
And most of all, Heart is so cute! And an airhead, of course. I have to assume there are plushies available.
“Pandora’s Web Browser.” That’s a thing.
“Give those back! I was making a point!” “Point taken.”
“They grow up so fast.”
“Ssssshowtime!” and “Taste Buds!”
“Just song lyrics and movie quotes”. . . Yep.
See what happens when you roll your eyes. . .
Plenty of crazily humorous moments, well worth a perusal.
Renegade: Martin Luther, the Graphic Biography
Yes, someone did a graphic novel on one of the biggest names in the history of religion. And it goes in-depth, with plenty of stuff that isn’t in a quick look at his life, if we assume all this is actually true, especially the lightning bolt incident. Did you know he played the lute? I didn’t. Now we both do.
Some high points:
The whole story starts on a high note, as the first illustration is a Bosch painting. Later on there’s a panel that’s right out of Escher. Bonus points from me.
For a monk, he sure knew his spycraft. Junker Jorg indeed.
There’s a Groundhog Day page to show how bored he is in exile, funny despite the repetitiveness.
“The gospel should be told as if everything just happened yesterday.”
“God. . . was absent during the bloodbath.”
The downside, at least for me, is all the religious babble. To the end he holds to his simplistic, even childish views. “There are innocent people among them. God knows well how to protect and save them. . . if he does not save them, then it is only because they are villains.” Ugh. And even if a lot of the Catholic rituals haven’t changed in over 500 years, I still don’t understand them.
As for how historically accurate it is, I can’t help but wonder. I looked for any representations of him with the hipster beard, and couldn’t find any. The wedding: tuxedo and white dress? Hopelessly anachronistic, obviously trying to appeal to a younger generation.
“Assumes a pastorate.” Some of the language sounds silly to modern ears.
I will admit I learned a lot from this, if indeed it was all true; I have my doubts on that score. He was neither a saint nor a sinner, or perhaps he was a bit of both. If this was pitched as a story, no one would buy it, but as a history lesson it works.
Poe: Stories and Poems
Seven of the master’s most famous works rendered in visual form. Being a huge Poe fan might skew my opinion, but since my very favorite story isn’t in here, I don’t think it’ll be a problem. Was going to try to keep my comments to just the graphic novel’s depiction, but as usual my questions about the stories crept in when I wasn’t looking.
Masque of the Red Death:
Starts, appropriately enough, with a depiction of what the plague does to a human body. This is easily the most colorful of the stories, as it should be, considering the party rooms. This is also the most straightforwardly told, but that may be because it’s the first one.
As I’ve wondered in the past, why did Poe name this protagonist Prospero? And how did the plague enter the sealed fortress after a few months had gone by?
Cask of Amontillado:
I will say the coloring in these scenes, particularly the burial basement, are accurate if not beautiful to look at: mostly darkness, with only the harsh yellow of artificial light to illuminate it. And I always thought Poe was being ironic, or sarcastic, in calling that unfortunate character Fortunado.
This is the first story where the characters are dressed modern rather than period. This artwork makes the whole theme seem even sadder, from the shot of him on his knees sobbing into the ocean to his finished fortress of sand. It feels like no woman has ever been mourned more.
The Pit and The Pendulum:
The story is all black with white lines, since he’s trapped in the dark, until he finds the pit. The rats were a little too realistic for my taste. And this has always been one of my least favorite Poes, as I’m not a fan of the “saved in the nick of time” trope.
The Telltale Heart:
This has always been the go-to when it comes to showing the power of guilt. If anything, it’s a little too on-the-nose here, not subtle at all, but then there weren’t that many pages to work with.
Really isn’t much you can do artwise to show bells. Bells can be happy or sad, but they’re just the tool. The bright orange of the fire looks nice, though.
The protagonist looks just like Poe in these grayscale drawings. The raven is exquisitely drawn, with patterns in its wings. This poem isn’t as visual as the others, so not as much to work with here, though I thought the artist could have made more use of the references.
Ends, rather fittingly, with his grave.
The artwork is more picture book that graphic novel. As you’d expect, it’s literally and metaphorically dark. But I do have to admit that the images make the reading go by faster.
At the end the author explains some of his choices, accidentally answering some of my own questions.