For once I’m gonna be smart about it and not waste my time ranking them. Yeah, that’s the new way I roll. . .
I’ve already blogged about how much I love this show, and now that it’s on TV—channel 5.3 in Los Angeles at 7:30AM—and not just Netflix, I can put it on this list. For those who missed it, two teens in Paris become the superheroes Ladybug and Cat Noir whenever someone—usually one of their classmates—gets evilized. (Yes, that’s one of the words they use for it.) In addition to that storyline, there’s the unrequited love between the two, though it’s made much more complicated because of their alter egos; it’s basically a love square between two people. There’s plenty of humor, and the 3-D animation is cutting edge. One of the shows I watch over and over and even sneak peeks at the second season over on YouTube.
Like it turned out for a lot of people, I wasn’t thrilled with the second season—one critic mentioned it should be renamed “Supergirl’s Boyfriend”—but it’s gotten back in the groove in its third year, not the least of it due to Odette Annable, one of my faves. For me the best parts are when Kara is all too human, especially sympathetic, rather than all the action sequences. The one thing that got me into this show, when I usually don’t care for superhero fare, was an early photo of Melissa in full Supergirl gear walking with a group of Girl Scouts while carrying a puppy, and sometimes they remember why that kind of thing works so well.
This show manages to do something that a lot try and almost all fail at: having a character who’s such an ass but also so charming you just can’t help but be on his side. And it’s the Devil!
You’d think there wouldn’t be any more “detective and x” combos left to try on TV, but I suppose eight years of Castle proves it’s still a viable formula. It helps that the detective is so darn likeable (and looks exactly like one of my favorite musicians!). There’s also a great supporting cast of celestial beings and all-too-humans that keep things light and dramatic in turn. A particular favorite is the psychiatrist who enjoys sex with angels. . . and the gorgeous demon who does just about everyone. . .
After all these years I’m still enjoying the adventures of Kensi and the nameless guys supporting her. (What? Nah, don’t believe you.) It helps that I’ve been on the set and got my photo taken with all of them. . .
In the last ten years or so dramas have become so serialized that I’m well over it, and this show has some of those arcs as well, but I prefer the individually plotted episodes. Still wish they’d do more undercover work like at the beginning, especially when they can be as good as Sam playing financial savant.
Penn and Teller: Fool Us
Basic premise: if you can perform a magic act, and Penn and Teller can’t tell how you did it, you get to open for their show in Vegas. (Suspiciously, there’s never more than one winner per episode.)
What’s better than magic? Funny magic. Some magicians excel at that, but none have hit it big with that formula like these two incredibly different guys. In later seasons they’ve taken to doing their own trick at the end of each show, but even better are all the different acts that have passed before them. While some of the magicians are so practiced it sounds like they’re reciting their patter, for the most part they’re so excited about performing on TV and in front of their idols that it gives a fresh enthusiasm lacking in so many shows today.
Whose Line Is It Anyway?
Still going strong after some thirty years, if you count the British era. As much as I love watching stand-up, this is so much better. There are some skits I’ve watched thousands of times, especially the ones with guest stars like Robin Williams, Richard Simmons, and Adelaide Kane. Even model Nina Agdal rocked it. But Colin, Ryan, Wayne, and rotating fourth seat are all comic geniuses, a joy to spend an hour with. Even Laura Hall, the pianist, is wonderful, even though I recently spent an evening listening to live music next to her without recognizing her!
Yup, this show is still on the air, and some might say better than ever. After a long time with Cote de Pablo in the female lead, the addition of Emily Wickersham has infused fresh blood, along with some other new faces to balance those who’ve been there the whole time. Gibbs isn’t nearly as much of a hardass anymore, no doubt due to his recent brush with death, and his scenes with Fornell show he does indeed have a sense of humor buried somewhere inside him. At this point the plots hardly matter; the fun is in the interactions of the team.
The Good Place
Where are we again?
Eleanor is Veronica Mars had she gone bad. She dies in the most ridiculous way possible and makes it to Heaven, where she obviously doesn’t belong. Now she has to deal with keeping her secret, spending time with the geekiest soulmate ever, and trying to figure out why Heaven isn’t all it’s cracked up to be. . . and then it really gets weird.
Kristen Bell and Ted Danson are both comic geniuses, and the supporting cast is definitely not bad either. But it’s the writing that makes this show amazing, superb in both comedy and twisty plots that no one sees coming, not even the other actors, as evidenced by a video Kristen uploaded recently of them reacting to the huge twist.
The Space adventures of Alara and her crew. . . well, at least for one episode.
Who would have thought a funnier, slightly hipper version of Star Trek: The Next Generation would be so good? Not that it started out great, and definitely has huge possibility for growth if they can cut down on the sophomoric jokes. . . well, it is Seth McFarlane.
For me it’s the women who rule this show. Penny Johnson Jerald has always brought it, and must be having fun on this show after having to be so serious on Star Trek: Deep Space Nine. I’ve never been a fan of Adrianne Palicki until now, but it’s Halston Sage as Alara that is a revelation, the best new face of the season. (Even more fun is how totally different she looks in real life!)
After what started as one of the best premises of all time, the show has settled into a kind of holding pattern; even though the overall mission—and big bad—changes, it’s still about deciphering the tattoos to foil yet another plot. Jaimie Alexander is one of the most underrated actresses on TV, and even though I get bored with the goings-on sometimes, there’s still plenty to enjoy every week, including one of the funniest and most endearing techies on any show.
Death In Paradise
Now that it’s running on PBS rather than solely Netflix, I can include what might be my fave cop show. Sure, someone always dies, but at least they did it on a Caribbean island, amid a lot of humor. I will never forget Serious Cop screaming like a girl at the rubber snake, but that was years ago. Now there’s a third chief inspector, who is so understatedly funny it sometimes takes a moment, but provides a completely different yet thoroughly entertaining crime-solving technique. The other cops are fun too, and Danny John-Jules—The Cat on Red Dwarf—plays a character named Dwayne, but his last name is not Dibbly.
Big Bang Theory
Another show where there’s nothing much left to say after being on for so many years. On the other hand, it’s fun to watch the repeats and see how much has changed: two of the original four married—one of them with kids—the last guy you’d ever expect to find a girlfriend engaged. . . and then there’s Raj. At least he changed his hair. But in my admittedly biased opinion the show has gotten better and better since the addition of Melissa Rauch as Bernadette, who could easily be a star on a spin-off had she not had to carry Howard all these years.
Dancing With the Stars
I can’t believe I’m including this one, as I’ve never watched it before—and probably never will again—but my girl Lindsey Stirling was on so I had to tune in. . . and found I still remembered a lot of my own miniscule dance training. Even worse, I found I had many of the same thoughts that were then expounded by Grumpy Judge!
I wonder if Lindsey remembers the Meet-and-Greet where we posed in tango. . .
Time-travel change-the-future story, which I love. I don’t think there’s been anything like it on TV since Seven Days.
I’m not sure if the whole season was plotted out from the beginning, as too many things didn’t make sense, but counterfactuals are just so much fun. Doesn’t hurt that one of my unsung faves, Abigail Spencer, was the female lead. On the other hand, not nearly enough Matt Frewer!
Medical student gets bitten by zombie, then becomes a medical examiner so she can have access to brains. Finds out eating a dead person’s brains passes some of their memories to her, which she uses to fight crime. Remember what I wrote above about Lucifer? How many more variations of cop helper can there be? Doesn’t beat the Devil, but close.
This has to be a dream job for an actor: getting to play a different role, or at least a different version of their role, every week.
Why did these shows that I watch all the time not make the top 15? Mostly because I would otherwise not watch them if it wasn’t for an actress I like. . .
Paget Brewster’s back and they’re finally done with the debacle of Reid being in jail.
Criminal Minds: Beyond Borders
Perfect example. Alana de la Garza went right from Forever to the only Criminal Minds spinoff that made it past a season. If this show had one major problem, it was the writing, but who cares when I can spend an hour staring at those amazing cheekbones?
I’d never heard about this show until I saw a commercial featuring a wonderfully enticing innocent-looking braided blonde. That turned out to be Kara Killmer, and even though she’s amazing I actually like the show for its humor, rather than the people crazy enough to run towards fires. . .
Despite some good humor and prescient side stories, this was nothing more than a run-of-the-mill courtroom drama with horny lawyers. . . except this one had Katherine Heigl, and that’s that.
A great premise in a superhero world was basically wasted despite some great actors, particularly Danny Pudi (Go watch his movie The Tiger Hunter!). Vanessa Hudgens turned out to be surprisingly awesome as well, but how bad does the writing have to be when you turn an Alan Tudyk character into a huge disappointment?
Can’t include them:
Because it’s on cable, and Netflix. Still, who would have thought Wynonna could become even snarkier and more awesome by being pregnant?
The X Files
How I wish I could put it on this list, but I am just as underwhelmed by this season as the previous one. The episode with the Mandala Effect was trippy, especially the Segway sound effects, but I’m hard pressed to remember any other worthwhile moment.