Big Nate: Silent But Deadly
Another collection of the long-running comic strip featuring a hapless kid who really should know better—about everything—by now, but particularly about girls and teachers.
“Silent but deadly” was not whom I expected, but for once I was glad it wasn’t Nate.
“Are loopholes anything like Froot Loops?” First answer: I wish. Second answer: I’m hungry.
Nate finally wins one, literally. “Scoreboard!” He’s also got a super nose, so it’s nice to see him not be the butt monkey EVERY time.
Zen Pencils—Creative Struggle: Illustrated Advice from Masters of Creativity
Another volume of the fun and educational series featuring quotes illustrated, this time with a more specific perspective, as the title tells.
Van Gogh died having sold only one painting. I know that’s not the takeaway from his story, but it’s what I’ll remember.
No mention of Einstein’s wife in that entire section. Huh.
Frankenstein is mentioned as the first sci-fi story, but that would be Paradise Lost.
The look on Marie Curie’s face at the gas coming in through the window. . . priceless. And her tongue sticking out in concentration. . . it’s the little things that make these stories great.
Tesla inspired by poetry is classic, literally. “Suck it, Professor Poeschl.”
Frida’s conga line of injuries, culminating in the bus crash, are truly horrific. This is the first time I’ve really seen the difference in size between Kahlo and Rivera played up; age, yes, but him being 300 pounds and her under 100 is staggering. And she really was the first Queen of Selfies.
And of course no book about creativity nowadays would be complete without Brené Brown.
Old Geezers: Alive and Still Kicking
An old man reads a letter his wife left him after her funeral, which sends him off on a road trip for revenge, followed by two friends and his very preggers granddaughter. Hilarity ensues.
It’s hard to say who exactly is the protagonist here. Could be Antoine, the one who goes off on for satisfaction. Or it could be Pierre, whom we meet first. He looks like a typical aging British civil servant, except for the way he parks. . . in the handicapped zone. That’s probably the only suit he’s ever owned, yet he’s the one worried about the fashion police. And when you consider his career. . .
Wow, someone actually used “progenitor” in a sentence.
“Everyone had a thing for Lucette at one point. You gotta admit that little minx was stacked.” It’s just so weird hearing three old men talking like frat boys. . . though I suppose it shouldn’t.
Best lines: “My (unborn) baby says bite me!” and “They’ve lost their sight, but not their hands.”
Interesting place to end it, but it does set up a sequel.
Valerian and Laureline
(Wow, turns out this has been a series since 1967! How have I never heard of it before? This means Han Solo could have been based on him instead of vice versa! And it was made into a film released this year?!!!
But for funsies’ sake, I’m leaving my original thoughts in.)
In a ship reminiscent of the Millennium Falcon, A Han Solo type and a beautiful redhead look for a cybernetic financial wizard. Once they find him, things get crazy.
It’s visually attractive, though not always logical. The bridge of the ship, for instance, is huge and empty with just the two of them. That is one surprised-looking fish. And my favorite line was, “Artificial intelligences love the old vintage look.”
The way I know Valerian is a parody of Han Solo is that he says, “I have a good feeling about this.”
“Your reputation pales before reality,” the Jabba-like creature tells her. I can only imagine. Have I mentioned how much I love redheads? “Your beauty is celebrated across the universe?” “It. . . it is?”
But as much as I enjoyed looking at the redhead—not as much as most of the male characters did, but still—the story was far too convoluted and seemed to be made up as it went along, much like the protagonists’ plans.
FRNK: The Beginning Begins
The first artistry we get is a delicious reproduction of cave paintings that look like the ones in Chauvet, France. Things go downhill from there.
A sullen young teen is not looking forward to his fourth adoption, figuring this family will be just as bad as the previous three. He tries to escape, but only makes things worse; in a large shot with a building filling the background, there’s a red arrow to show us where he’s falling. (Thanks for that.)
The kid goes through a glass roof, falls off a wall like Humpty, and goes head over heels down a rocky hill, but other than a band-aid is perfectly fine. Huh. After a lot of ows, they add one more “And ow!” Cute.
I love the redhead administrator for much more than the color of her hair; too bad she’s only appears at the beginning. But then they placate me with more redheads later.
It was never meant to be realistic, obviously—not with time traveling—but some of the small moments, like him running on water, are too ridiculous and didn’t need to be. He takes too long thinking it’s a theme park, then instantly jumps to the most absurd possibility. (The fact that he’s right is just a coincidence.) More than anything else, this kid is just too annoying to root for.
Fragments of Femininity
Seven stories about women and how they view their breasts, and how they think others view them.
Chloe: Women can be ever more vicious in the locker room than men. The protagonist is not who we think at the beginning, which is a clever touch. Easy to see how she lost control when even other women buy into the myth of bigger is better. Still, you have to figure something happened earlier—that this had to be the culmination—for her to blow up so big.
Mathilde: Middle-aged woman leaves her boring husband and kids to be with her lesbian lover and ends up in a bra-burning nude protest. Despite her long letter to her husband, there wasn’t enough background to really get how she so quickly moved on.
Alison: Famous exploitation actress wants to do serious movies. Rather than let the director screw her over by forcing her to do yet another nude scene when her contract says it’s not supposed to happen, she quits not just the movie but her career. This one’s my fave.
Sylvia: Older woman sees photos of her husband with a much younger lady. But rather than go for the divorce, she takes care of him in a fitting way, though I have to say it wasn’t all that much of a surprise.
Faith: A woman goes to an art school to see if she can pose nude, forgoing payment in favor of keeping a few of the results. At this point—being a photographer, I’ve been asked to do this before—I knew where it was going, but it was still a sad realization at the end. Of all the stories, though, I think this one is the most fitting with the topic.
Elikya: Woman in Northern Africa escapes her arranged marriage and gets lost in the desert until saved by an apprentice sculptor/witch doctor. The town is dying and badly needs rain, so he uses her to model a new talisman. If you like anthropology at all, this is for you.
Fleur: She runs a lingerie shop, insisting that her customers are more like friends. She has a diverse clientele, including a stripper who tests out all the new merch. In the end all those friends come in handy when her store gets firebombed.
Obviously some were better than others, but all told intriguing stories. What makes this book all the more interesting is it was written by a man.
Photographic: The Life of Graciela Iturbide
“For Iturbide, the camera is just a pretext for knowing the world.” That quote’s not in the book, but when I did research on a photographer I’ve never heard of . . . couldn’t pass it up.
After an intro that’s quite a bit overdone, first story isn’t all that interesting, and the prose is mysterious without a cause. It’s trying to be poetic, but doesn’t say anything, too hoity-toity for its own good. The drawings are so far more impressive than the photos.
The Medusa head of iguanas was awesome, but that’s it. The photos are wonderfully grainy, but there aren’t many. And to be perfectly honest, as a professional photographer of more than 25 years, I can’t say I’m impressed by what’s shown here.
The Campbells: Inferno
The fun starts on the title page, with a funny image of a pirate swinging on a rope with his kids hanging on for dear life behind him. That sets the scene nicely. Actually it starts on the cover, because for a few seconds I seriously thought that was Bruce Campbell.
The way we get background is with the brother reading his older sister’s journal. Had no idea pirate kids are generally no different than suburban kids, especially when it comes to school.
The smartest character is the head leper.
“Lovedumbefied!” I like when they invent new words.
I can totally hear Bruce Campbell’s voice saying the girl’s name: Nutel-la. Though sometimes the look is more Billy Campbell. The artwork is cartoonish, with no attempt to be realistic. There’s silly dialogue and juvenile humor. One of the pirates is named Carapepino, which translates to Cucumber Face.
Too many plots, too many pirates, but it’s kinda likeable.
Emma and Violette: A Dream for Three
Two sisters are under pressure from themselves and their mom to ace the tryouts for ballet school. When one makes it and the other doesn’t, the family has to deal.
The artwork is gorgeous! I love how cinematographic it is, with characters in the foreground painted out of focus. I particularly like the way the mom’s drawn.
As far as the character, at first she comes off as rigid but shows another side after. At least she listens, if only to her husband. I like the little sister, who still has some innocence, and plays with teddy bears. But my fave character is the dad, who awesomely takes his daughter to the theater. The astronaut and the tree were her best costumes.
Just to prove it’s Paris, there’s the Bridge of Locks.
The girls have every right to be confused, that works well. But I was completely surprised by how confident and understanding the guys were, not at all what you’d expect from teen boys. Maybe it’s because the writer/artist is a man.
For such a short piece, there were some loose threads. Might have worked better without the romance or hip-hop angle, though the last one was over quickly enough.
The artwork is definitely the highlight.
After two arrogant brothers in Ancient Greece have a tiff, the story goes to. . . 4000 years later! Yeah, good luck understanding that.
A young woman is stuck in a cellar, later an attic, being taken care of by an old man who claims to have found her unconscious, but she can’t remember anything.
Best part about her character is her sense of humor, like “This time I really do think I fried my brain.” She’s smarter than she looks, with the “changing clothes” gambit.
I like the part with the bird, and the glass of water. But it really is a strange story, going from fantasy and supernatural to military sci-fi. It ends with a “to-be-continued” vibe and what looks to be a back-cover blurb that gives a lot more info than the actual story.