More Art edition
“When photography came into being, realism in painting pretty much died.”
“But photography doesn’t have to realistic either.”
Never letting an opportunity to tease her slip by, I tried, “Pascal once said, a long time ago, ‘How vain painting is, exciting admiration by its resemblance to things of which we do not admire the originals.’”
“Sounds like he was talking about Van Gogh.”
“It was long before the Earless Wonder.”
“He still had one ear.”
“Good thing he didn’t fall in love again. Imagine what body part he’d send his third love.”
“Overdoing it as usual,” she sighed. “Anyway, this Pascal dude missed the point. Admiring a painting that depicts a place we know but don’t like seems absurd and pretentious at first, but only if we imagine that painters do nothing but reproduce exactly what they see.”
I grinned, liking it so far, but she’d never believe it, so I let her ramble on.
“If that were true, then all we could admire in a painting would be the technical skills involved in the reproduction of an object.”
“I just thought of something.”
“I might have seen those five-legged creatures at the British Museum.”
“Moving on. . .” she sighed. (That’s two.)
“Cythera was a mythical island associated with the Goddess of Love,” I told her as she went glum again. She’d been hoping to reestablish superiority in the paintings, but I was already ahead of her.
“I didn’t know you were an expert on mythology as well,” she grumbled.
“You think I’m not going to know something about the goddess I worship?”
“That’s true,” she brightened. “I am the current priestess, right?”
“At least for today,” I bright-sided while flexing my biceps, knowing the blow would be coming. It did, but luckily she only had superhuman strength in bed.
We continued looking at The Embarkation for Cythera. To be completely honest, there was nothing in it to suggest it was a masterpiece. Except for the sky, the colors were very dark; all you could see was a large number of people heading away from the viewer toward the distant sea.
“Now that you know what it’s about,” I gave her a wicked grin, “what do you think they’re doing? Are they about to go to the island, and who wouldn’t, seeing it’s run by the goddess of love, or are they being forced to leave the island? If you look carefully, you can see they’re a bit sad.”
She looked closely for a bit longer, then turned to answer and found a stranger there. Looking around, she saw me walking toward the next gallery, but I saw the Mona Lisa was in that direction and made a rapid U-turn.
“I don’t know,” she admitted when she finally caught up with me. “which is it?”
“I don’t know either.” I interrupted her growing grin with, “Nobody knows. Watteau died of tuberculosis when he was 37, and he didn’t tell anyone.”
“Then why did you ask me?” she growled, nettled.
“No reason in particular,” I said lightly, walking along regardless of her slow pace. “You ready to stop this little competition?”
She startled, then was about to make things worse by saying, “I don’t know what you’re talking about,” but luckily refrained.
I nodded, as if agreeing with that course of action. “Can you be satisfied with being the second most-intelligent person in this country? After all, I’ll be gone soon, and you’ll be back to being number one. The sad thought is that you’ll leave too, and then where will this country be?”
She stared at me for a while, then burst into laughter, causing me to do the same. The guard there this time was obviously immune to her blandishments–or just too plain old to bother anymore–and ordered us out of the hall.
“Gladly. Let’s get the hell out of here. I’ve seen enough of Reuben and almost the Mona Lisa to last me a lifetime anyway. . .”