Book Reviews: Graphic Gauguin and Grabbings

Please Don’t Grab My P#$$y: A Rhyming Presidential Guide
Four-line rhyming stanzas attempt to teach the Trumpster Dumpster and other asses like him what shouldn’t be touched without permission. Each little poem ends with a euphemism for the one word you would expect, some of them quite confusing.
I am a rhyming fanatic; I’ve even called out my fave musicians when they cheat on this, so it’s no surprise when I say that some of these attempts are atrocious. Maybe that explains why some of those that do rhyme make no sense whatsoever.
A few of the highly impressionistic drawings are lovely and funny, but most are just there.
If there’s one thing to take away here, it’s that this sets some high expectations and doesn’t meet them. Nowhere near as funny as the publicity pretends. A little bit more thought, and maybe not so lowbrow, and it might have hit the sweet spot.
2/5

Queen of Kenosha
Small-town musician in Noo Yawk tries to return a wallet and get pistol-whipped for her troubles. It leaves her open to an offer she can’t refuse.
I’ve read this author’s previous works, which took place in the hockey world, and it’s the same format here. The artwork is especially similar, but the story is completely different and much more ambitious, in fact maybe too much. There’s been plenty of Nazi conspiracy stories over the decades, but I can’t remember seeing one where they’re basically dropped into what’s always been a “commie” plot.
Though it’s an overused talking point, the difference between a black-and-white follow-orders-at-all-costs viewpoint and a don’t-have-to-kill-everyone approach is done well here.
Each issue has recommended songs, with one on each playlist by the fictional protagonist, so of course you can’t hear it. Another is “Both Sides Now”; I sure am getting tired of that song, it’s everywhere. And you’d think that since this takes place in the early 60s, songs from that era would be a better choice. I haven’t noticed any connection between the songs and the action, but I was amused by the inclusion of a Pretenders song. But it’s the insertion of a good Dire Straits song that made everything okay.
When on the big mission, they dress all in black but don’t paint their faces, neck, and hands. Worse, her blonde hair is loose. Author fail on the spycraft.
More than anything, there’s a huge plot twist at the end. . . which I’d guessed about halfway. I was hoping I was wrong, thinking it too contrived, too much of a coincidence, but it happened anyway. Actually not that big a deal in this book, but in the sequel it’ll be huge, and it won’t sit right then.
At the end are the lyrics to the made-up songs by the protagonist. Since this is a collection of all the issues, I don’t know if the lyrics were included with the song, but in this volume I would have liked to read them when the title was first unveiled.
There’s a lot of good stuff here, but also much that could have been done better.
3/5

Gauguin: Off the Beaten Track
The foreword tells you that this isn’t about the artist as much as about the guy who was his generation’s version of a hippie, though by this time in his life he’d become more cynical.
The graphic novel starts with paintings being sold at auction for what seem to be really low prices, though back then it could have been a lot. They’re won by a smug-looking accountant type, and then we go back two years to the sight of Gaugin sleeping on a ship with roaches crawling all over him. Lovely. From there the story switches between his arrival on the small island and the previous guy showing up after his death.
Some of the friends he makes are interesting. It’s fun to see him interacting with people from Vietnam, India, and of course the locals, though they’re all different too.
“You’ve lost your mind!” “And you never had one to begin with!”
“You must—” “When I hear ‘you must,’ I rebel!”
There some slight x-rating to a couple of panels, but the artwork is done in such a non-realistic style—even looks like Gaugin painted it—that’s it’s hardly noticeable and pretty much inoffensive. . . which kinda sums up this book. It paints a different side of the artist who’s only famous for these paintings, who is not in the consciousness of most like Picasso or such. It’s interesting, but not more than that.
3/5

Motorcity
An unconventional new cop—with tats, piercings, etc.—in a small town in Sweden works on missing persons case. We get to see what happened to that missing person, and it’s not nice, so we’re given a sense of urgency for the cop and her partner to get there and save the day.
She knows most of the players, which is handy, though who knows if that’s a great idea, were she to run into someone she actually likes. There’s also an idiot too-much-testosterone older cop who looks like he came out of any American police show. The book ends with a small discussion on the Swedish subculture that was the background for the story, which was interesting enough to make me look it up.
The writing, or should I say the translation, is pretty good, except for too many fake-sounding instances of “Ha ha.” The artwork was a bit Day-Glo for my tastes, but since the protagonist is a fan of superhero comics that’s not a big deal. And even though the story was a bit by-the-numbers, the characterizations, especially the lead, made it worthwhile.
3.5/5

A Sea of Love
A comedy of errors at sea: an old fisherman sets off on what he thinks is just another day at work, and then one thing after another goes wrong. In the meantime, his wife doesn’t give up looking for him, and her adventures are a lot more fun.
Right away it makes me laugh with how huge the fisherman’s eyes are with the glasses on. It starts with the typical morning routine, with recognizable moments between the married couple, going from mad to laughing in a second. Totally sympathize with him on the sardine situation. The part where he meets up with the bigger boat seemed to take forever to get through, could have been done quicker. And never fire a flare near an oil tanker. . . just sayin’.
She doesn’t take off her ridiculous hat in the swimming pool; funny. Her housekeeping/cooking skills make her a star. She was smart all the way to interrupting Castro’s speech, a misstep not only for her but for the book; too ridiculous, though not as much as her becoming an internet sensation. Still, it was nice to see her having as much of a role as he did.
Some funny moments, some poignant. Neither the fisherman nor his wife ever give up; it’s inspiring. Even the bird carries out its agenda without fail. The ecological lessons are rousing in a different way, more of a call to action.
The artwork isn’t meant to be realistic, almost caricature but not over the top.
I think this could have been 25% shorter, and I would have liked it more.
3.5/5

Lady Mechanika, Vol. 4: Clockwork Assassin
Okay, I’m gonna pretend the Day of the Dead volume never happened. Also a bit sad I missed the Free Comic Book Day edition, but what can you do?
A mysterious lady who could easily pass for Mechanika slashes an industrialist on an empty street. Luckily for Mechanika it’s her “admirer” Detective Singh who’s on the case, but after two more murders even he’s not sure of her innocence.
I love that Harry says he’s the brains and she’s the brawn, and Mechanika doesn’t object.
“Umph. That was graceful. Executed with all the poise of a proper lady.” I keep saying it every time: my favorite trait of Lady Mechanika is her always surprising sense of humor.
The bad guy is not that hard to guess, but then I’m not here for the story. The real reason to be here is the artwork, particularly but not just the renderings of Lady Mechanika.
The girl reminds me of Emma Watson. . . or a certain witch she played.
So, nothing that screams out new, but more of the same good stuff.
As always, there are extra visual goodies at the end; I will never believe Mechanika stopped moving long enough to pose for them.
3.5/5

Infinity 8 Vol. 1: Love and Mummies
In a plot far too confusing to be summarized here, a spaceship cop is sent outside into a space junkyard to find out what’s going on, and hopefully tell the reader too.
It’s one thing for her to be wearing such a tight spacesuit—justifiable, but not likely—but the uniform she wears on the job is ridiculous, and leads me to not be able to take her seriously as a security agent. Another female agent is dressed the same way, cleavage practically falling out. Bad job by the artist there, but who knows what he’s thinking.
Lots of scenery porn in the shape of. . . well, a lot of different shapes of aliens. The ship is shaped like a high-heeled shoe!
Best line: “Kiss my ass.” “Okay. Is that how humans do it?”
Though it happens a lot in these stories, I still don’t like how Captain Obvious she is. Turns out she’s kinda dumb too. An officer never gives up their weapon!
Brightly painted, especially for being in space.
After a page of in-story commercials, some of them funny, there’s a big sign that says “14 pages of extras!” Cute, but too late to make a difference.
2.5/5

Skin & Earth HC
In a near-future Earth ecologically devasted, a young redhead goes from college through a nice neighborhood and reveals that she’s part of a lesser caste, to the point where she has to wear a mask so that she doesn’t breathe on this society’s higher-ups. A guard at the checkpoint back to the poor area, who should be more sympathetic considering he’s no highborn, provides further exposition while trying to bully her.
Of course she’s in love with a jerk. There’s a lot of talk and exposition, but nothing much happens. She doesn’t seem particularly smart, considering she tried to take a tattoo off with a knife. Then she meets a mysterious woman in a dream and they go off to get their revenge on the guy.
I did do a little research after reading the intro; turns out this is written by a musician, and the main character is kinda based on her, at least the visuals; the artwork, especially her red hair, is very true to life. The rest of the eye candy is okay, not meant to be realistic.
Favorite line: “I’m never drinking again!. . . boobs look nice, though.”
Other worthy utterings:
“It’s like some fucked-up Renaissance painting.”
“Show him what it’s like to fuck with a goddess.”
“Are you saying you’re forever years old? You look good!”
“I don’t know what this is all code for, but if you’ve got pills, I’ll take them.”
“You have a dangerous blend of sadness and curiosity.”
“I have other plans!” (I need a plan.)
Good use of chain metaphor.
Problem: if she’s not wearing the mask, how does anyone know if she’s a pink or a red? And I don’t mean her hair.
More to the point: each chapter has a Qcode for songs that go with the book, but as of my reading of this review copy, they only take you to the same general website of what looks to be the publisher. No worries, I found them on youtube, with a couple having videos. I found the songs, like many nowadays, overproduced; acoustic versions might be better, but there are some good hard-rocking melodies in there. As for the videos, one of them shows her making the artwork, while another has a couple of the panels recreated in real life, like the part when her “ghost” leaves her body.
3.5/5

;o)

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Book Reviews: Graphics and Comics

I’m Not Your Sweet Babboo!
I don’t have to describe Peanuts to you, do I? Of course not. So I’ll just mention some of my fave jokes.
The book starts with Sally talking to a building. . . and the building thinking, if not talking back, the same way Snoopy does. So all is normal.
Peppermint Patty enrolls in dog obedience school. That’ll end well. At least that’s different than the usual fare.
There’s a cat called World War II.
It’s a really good friend who holds your head after your grandfather tells you that reading too much will make your head fall off.
There’s an almost-Goth girl named Truffles.
Snoopy’s not a rescue pilot, he’s the actual chopper. Woodstock is the pilot.
Tree-biting is a thing not limited to woodpeckers.
Bunny-print needlepoint is the thing to do when on guard duty.
The Beagle has landed!
Ends with fun facts about helicopters, with some heavy scientific explanations. Even shows how to make one. . . out of paper, that is.
4/5

Jim Butcher’s The Dresden Files: Dog Men
Starts off with everyone dying, but of course that doesn’t last.
I’m not heavily familiar with this long-running series, only read a few here and there, so I don’t know how often Dresden goes out of town, but in this one he leaves the comfy confines of Chicago for rural Mississippi. The bigger mystery is how such a huge dog can be so calm in a VW bug for such a long ride.
Dresden makes a good point about his heart breaking and his stomach heaving being a comfort whenever he sees violence or its aftermath, but then that might be part of the stubbornness he admits to. I would have come up with that same reply if Listens-To-Wind hadn’t beaten me to it.
“You’re kidding, right?” “Yes.” Stoic old native American my ass. I was thinking more Yoda, but they went with an Indiana Jones reference instead.
“I was ready. I was confident. Usually that meant I was fucked.”
“I’ve seen golems covered with less mud.” Classic.
So many references! Scooby, Silence of the Lambs, Usain Bolt, Alien, Lord of the Rings. . . ANOTHER Indy reference.
There’s a lot that’s good here, and funny. But I am getting tired of going through so many stories without Dresden learning. All his obtuseness and anger-management issues get boring after a while. There’s no hero arc; it’s more of a flatline.
3/5

Pierce Brown’s Red Rising: Sons of Ares
Issue 1
With humans having colonized the solar system, there’s a very strict color-coded caste system that essentially treats the vast majority as slaves to the small elite. But there’s a rebellion growing in the lower levels, led by a guy born elite but never good enough to be accepted by them. Whether revenge or social justice, he’s ruthless.
The dialogue bubbles are in different colors, which I think stand for what caste the speaker is in. That’s about the only interesting thing I could pick out in this intro chapter.
3/5
Issue 2
The rebellion has been found out and is under attack. But before they can escape the story goes to flashbacks, explaining how Fitchner became the way he is now. It basically tries to show that survival makes one do all kinds of things they’d rather not. There’s too many memories for any of them to make a lot of sense, as each is done pretty quickly before the next one starts.
2/5
Issue 3
The scene changes from Mars to Triton, a moon still being terraformed. Fitchner is in charge of a work group, but the caste system follows him. At first it seems like he doesn’t even consider the rest of them human, having hardened his heart to survive rather than acting like an elite Gold, but when an earthquake hits he can’t help himself. This leads him to find love and family, and explains what the present-day raid is all about.
This chapter was a lot more interesting, just because it involves people more than the previous.
3.5/5
Issue 4
Still in flashback, Fitchner and his companions move to Mars, where he’s now in a corporate environment. But because he married a woman below his station, he’s easily blackmailed into becoming an assassin.
“I’m going to be an aunt!” Funniest moment in what is really a dreary depressing tale.
2/5
Issue 5
The flashbacks have almost caught up. Fitchner’s wife is captured by his old friend, who has become one of the brutal bureaucrats that wants to keep the bloodlines pure. Rejected by Fitchner, he wants revenge. . . but bites off more than he can chew.
There’s no way I’m expecting a happy ending here, but there really hasn’t been anything that would lead me to believe this is an actual rebellion, or that Fitchner could be any kind of leader. It totally comes off as him doing it for himself, without caring about the masses.
2.5/5
Issue Six
Long confusing ramble of a rescue operation to end it. By most measures it could be said that the whole operation wasn’t worthwhile. At the very end there’s a time jump to lead into the previously written story, wrapping things up finally.
2/5
This is a case of not knowing what I’m missing, because I haven’t read the previously released one; this is a prequel to that one. Despite the story it tells, there’s not much here that’s joyful, or even that new or interesting. Had I known more about it coming in I probably wouldn’t have read it.
2.5/5

Jimmy’s Bastards TPB Vol. 1
Right from the first glimpse of the hero you see he’s totally meant to be Bond, though on the closeup he reminds me more of Bruce Campbell.
His rescue/assistant is named Olga Trolltunnel, and is even more eye candy—to put it nicely—that any actual Bond girl. His Q is over-the-top Cockney. And his M is definitely nothing like Bond’s boss. Of course he gets a hot new assistant, though she’s not impressed by him or his methods at all. Thankfully she’s got a sly wit and plenty of sarcasm.
Some of my fave moments include the hatchet to the head, which is so old-fashioned and unwieldy it wouldn’t have fit in Dr. No, but whatever works.
Wow, that’s a huge crowd of offspring; looks like they fill a stadium.
This Rupert acts remarkably similar to Ruprecht in Dirty Rotten Scoundrels.
The Cockblocker is a fantastic name for a supervillain, and if it also describes his power. . .
“That’s the young bugger who rogered my wife!” Surprised this sentence only occurs once.
There’s one of the bad guys who looks so much like him I was not surprised to hear him called Junior. The temper tantrum was something else.
“Radical solution.” Nice.
“Come and get it! See how you like. . . BAM!”
“Cunt-seeking missile.” Wow. Sheer poetry.
She’s the one who does the parachute trick, not him.
Always have a puppy on standby.
This started off slow and weak, but built up steam as it went along. Thankfully it got funny, and a bit philosophical. The story didn’t finish, though.
A few pages of covers gallery.
3.5/5

Pico Bogue: Striking the Balance
Two kids and their parents, in sorta comic-strip-like storytelling, though more drawn out.
Before anything starts, there’s an amazing drawing of the protagonist inhabiting a tiny part of a vast landscape. It’s really beautiful. And at the end there’s a snowy counterpart, though I don’t think I’ve ever seen a kid piggyback on a snowman before.
“You are what you eat. That makes me nasty.” Wow, tone is set from the first page. These two tiny kids are wise and snarky beyond their years.
The one where he almost gets run over by a car isn’t funny, but then I’m not sure it was meant to be.
“I’m scary as a trumpet.” Probably my fave.
He makes a certain kind of sense when he talks about Christmas gifts.
That little girl sure bounces back quickly from all those falls off the sled. And the last one proved just how amazing she is, my favorite character.
There’s a slightly impressionistic tone to the artwork, making the words and situations all the more surreal. Added to the humor of most of the jokes, it’s well worth reading.
4/5

;o)

Book Reviews: Double-Digit Graphics

Big Nate: Silent But Deadly
Another collection of the long-running comic strip featuring a hapless kid who really should know better—about everything—by now, but particularly about girls and teachers.
“Silent but deadly” was not whom I expected, but for once I was glad it wasn’t Nate.
“Are loopholes anything like Froot Loops?” First answer: I wish. Second answer: I’m hungry.
Nate finally wins one, literally. “Scoreboard!” He’s also got a super nose, so it’s nice to see him not be the butt monkey EVERY time.
4/5

Zen Pencils—Creative Struggle: Illustrated Advice from Masters of Creativity
Another volume of the fun and educational series featuring quotes illustrated, this time with a more specific perspective, as the title tells.
Van Gogh died having sold only one painting. I know that’s not the takeaway from his story, but it’s what I’ll remember.
No mention of Einstein’s wife in that entire section. Huh.
“Mortifying negative.”
Frankenstein is mentioned as the first sci-fi story, but that would be Paradise Lost.
The look on Marie Curie’s face at the gas coming in through the window. . . priceless. And her tongue sticking out in concentration. . . it’s the little things that make these stories great.
Tesla inspired by poetry is classic, literally. “Suck it, Professor Poeschl.”
Frida’s conga line of injuries, culminating in the bus crash, are truly horrific. This is the first time I’ve really seen the difference in size between Kahlo and Rivera played up; age, yes, but him being 300 pounds and her under 100 is staggering. And she really was the first Queen of Selfies.
And of course no book about creativity nowadays would be complete without Brené Brown.
4/5

Old Geezers: Alive and Still Kicking
An old man reads a letter his wife left him after her funeral, which sends him off on a road trip for revenge, followed by two friends and his very preggers granddaughter. Hilarity ensues.
It’s hard to say who exactly is the protagonist here. Could be Antoine, the one who goes off on for satisfaction. Or it could be Pierre, whom we meet first. He looks like a typical aging British civil servant, except for the way he parks. . . in the handicapped zone. That’s probably the only suit he’s ever owned, yet he’s the one worried about the fashion police. And when you consider his career. . .
Wow, someone actually used “progenitor” in a sentence.
“Everyone had a thing for Lucette at one point. You gotta admit that little minx was stacked.” It’s just so weird hearing three old men talking like frat boys. . . though I suppose it shouldn’t.
Best lines: “My (unborn) baby says bite me!” and “They’ve lost their sight, but not their hands.”
Interesting place to end it, but it does set up a sequel.
3.5/5

Valerian and Laureline
(Wow, turns out this has been a series since 1967! How have I never heard of it before? This means Han Solo could have been based on him instead of vice versa! And it was made into a film released this year?!!!
But for funsies’ sake, I’m leaving my original thoughts in.)
In a ship reminiscent of the Millennium Falcon, A Han Solo type and a beautiful redhead look for a cybernetic financial wizard. Once they find him, things get crazy.
It’s visually attractive, though not always logical. The bridge of the ship, for instance, is huge and empty with just the two of them. That is one surprised-looking fish. And my favorite line was, “Artificial intelligences love the old vintage look.”
The way I know Valerian is a parody of Han Solo is that he says, “I have a good feeling about this.”
“Your reputation pales before reality,” the Jabba-like creature tells her. I can only imagine. Have I mentioned how much I love redheads? “Your beauty is celebrated across the universe?” “It. . . it is?”
But as much as I enjoyed looking at the redhead—not as much as most of the male characters did, but still—the story was far too convoluted and seemed to be made up as it went along, much like the protagonists’ plans.
3/5

FRNK: The Beginning Begins
The first artistry we get is a delicious reproduction of cave paintings that look like the ones in Chauvet, France. Things go downhill from there.
A sullen young teen is not looking forward to his fourth adoption, figuring this family will be just as bad as the previous three. He tries to escape, but only makes things worse; in a large shot with a building filling the background, there’s a red arrow to show us where he’s falling. (Thanks for that.)
The kid goes through a glass roof, falls off a wall like Humpty, and goes head over heels down a rocky hill, but other than a band-aid is perfectly fine. Huh. After a lot of ows, they add one more “And ow!” Cute.
I love the redhead administrator for much more than the color of her hair; too bad she’s only appears at the beginning. But then they placate me with more redheads later.
It was never meant to be realistic, obviously—not with time traveling—but some of the small moments, like him running on water, are too ridiculous and didn’t need to be. He takes too long thinking it’s a theme park, then instantly jumps to the most absurd possibility. (The fact that he’s right is just a coincidence.) More than anything else, this kid is just too annoying to root for.
2.5/5

Fragments of Femininity
Seven stories about women and how they view their breasts, and how they think others view them.
Chloe: Women can be ever more vicious in the locker room than men. The protagonist is not who we think at the beginning, which is a clever touch. Easy to see how she lost control when even other women buy into the myth of bigger is better. Still, you have to figure something happened earlier—that this had to be the culmination—for her to blow up so big.
Mathilde: Middle-aged woman leaves her boring husband and kids to be with her lesbian lover and ends up in a bra-burning nude protest. Despite her long letter to her husband, there wasn’t enough background to really get how she so quickly moved on.
Alison: Famous exploitation actress wants to do serious movies. Rather than let the director screw her over by forcing her to do yet another nude scene when her contract says it’s not supposed to happen, she quits not just the movie but her career. This one’s my fave.
Sylvia: Older woman sees photos of her husband with a much younger lady. But rather than go for the divorce, she takes care of him in a fitting way, though I have to say it wasn’t all that much of a surprise.
Faith: A woman goes to an art school to see if she can pose nude, forgoing payment in favor of keeping a few of the results. At this point—being a photographer, I’ve been asked to do this before—I knew where it was going, but it was still a sad realization at the end. Of all the stories, though, I think this one is the most fitting with the topic.
Elikya: Woman in Northern Africa escapes her arranged marriage and gets lost in the desert until saved by an apprentice sculptor/witch doctor. The town is dying and badly needs rain, so he uses her to model a new talisman. If you like anthropology at all, this is for you.
Fleur: She runs a lingerie shop, insisting that her customers are more like friends. She has a diverse clientele, including a stripper who tests out all the new merch. In the end all those friends come in handy when her store gets firebombed.
Obviously some were better than others, but all told intriguing stories. What makes this book all the more interesting is it was written by a man.
4/5

Photographic: The Life of Graciela Iturbide
“For Iturbide, the camera is just a pretext for knowing the world.” That quote’s not in the book, but when I did research on a photographer I’ve never heard of . . . couldn’t pass it up.
After an intro that’s quite a bit overdone, first story isn’t all that interesting, and the prose is mysterious without a cause. It’s trying to be poetic, but doesn’t say anything, too hoity-toity for its own good. The drawings are so far more impressive than the photos.
The Medusa head of iguanas was awesome, but that’s it. The photos are wonderfully grainy, but there aren’t many. And to be perfectly honest, as a professional photographer of more than 25 years, I can’t say I’m impressed by what’s shown here.
2.5/5

The Campbells: Inferno
The fun starts on the title page, with a funny image of a pirate swinging on a rope with his kids hanging on for dear life behind him. That sets the scene nicely. Actually it starts on the cover, because for a few seconds I seriously thought that was Bruce Campbell.
The way we get background is with the brother reading his older sister’s journal. Had no idea pirate kids are generally no different than suburban kids, especially when it comes to school.
The smartest character is the head leper.
“Lovedumbefied!” I like when they invent new words.
I can totally hear Bruce Campbell’s voice saying the girl’s name: Nutel-la. Though sometimes the look is more Billy Campbell. The artwork is cartoonish, with no attempt to be realistic. There’s silly dialogue and juvenile humor. One of the pirates is named Carapepino, which translates to Cucumber Face.
Too many plots, too many pirates, but it’s kinda likeable.
3/5

Emma and Violette: A Dream for Three
Two sisters are under pressure from themselves and their mom to ace the tryouts for ballet school. When one makes it and the other doesn’t, the family has to deal.
The artwork is gorgeous! I love how cinematographic it is, with characters in the foreground painted out of focus. I particularly like the way the mom’s drawn.

As far as the character, at first she comes off as rigid but shows another side after. At least she listens, if only to her husband. I like the little sister, who still has some innocence, and plays with teddy bears. But my fave character is the dad, who awesomely takes his daughter to the theater. The astronaut and the tree were her best costumes.
Just to prove it’s Paris, there’s the Bridge of Locks.
The girls have every right to be confused, that works well. But I was completely surprised by how confident and understanding the guys were, not at all what you’d expect from teen boys. Maybe it’s because the writer/artist is a man.
For such a short piece, there were some loose threads. Might have worked better without the romance or hip-hop angle, though the last one was over quickly enough.
The artwork is definitely the highlight.
3.5/5

Harmony: Memento
After two arrogant brothers in Ancient Greece have a tiff, the story goes to. . . 4000 years later! Yeah, good luck understanding that.
A young woman is stuck in a cellar, later an attic, being taken care of by an old man who claims to have found her unconscious, but she can’t remember anything.
Best part about her character is her sense of humor, like “This time I really do think I fried my brain.” She’s smarter than she looks, with the “changing clothes” gambit.
I like the part with the bird, and the glass of water. But it really is a strange story, going from fantasy and supernatural to military sci-fi. It ends with a “to-be-continued” vibe and what looks to be a back-cover blurb that gives a lot more info than the actual story.
3/5

;o)

A Bit of Everything

Presto!
The bigger half of the famous magic duo tells you how, among other things, he lost over 100 pounds in what is genuinely a small amount of time. Even after reading this it’s still hard to believe it happened, but at least he’s not claiming it was magic.
There’s a lot of repetition; he tried to make it funny, but I found myself skipping quite a bit. Same with his really long list of stuff he’s eaten. And in case you ever wondered if you would see recipes in a book written by Penn Jillette, here they are.
This was a tougher read than expected; there’s plenty that’s lighthearted, but even more that’s not. It’s no surprise to note that the humor is the main attraction here, despite the topic. But what really surprised me was that I didn’t read it in my head in his distinctive voice.
3/5

Aches and Gains
If you want to know why the author wrote this book, here’s his reason: “As a physician, nothing is more frustrating than watching your patients suffer and feeling like you can’t do anything about it.”
Amid long stories about celebrities like Patrick Swayze, JFK, and Elvis, used to illustrate particular chapters, there’s brief explanations about various illness and injuries, followed by several treatments, with emphasis on unconventional methods. Of course some chapters are going to be more important to each reader than others, so it’s easy to skip a few that you might have no interest in. For instance, when I was reading one of the chapters toward the end I was wondering if stem cells would be included, and a few pages later it was (and it turned out to be much more involved than a simple injection, and painful!). At the same time I passed over subchapters that featured diseases I’d never heard of and wasn’t likely to get. Because everything but the kitchen sink is included, it gets boring quickly. Listing every medicine doesn’t help. At this point it becomes more of a reference book in case it does become relevant to you.
There’s suggested further reading after each chapter, as well as episodes from the author’s podcast. I tried a few, but like this book it was long and rambling. I do have to say it got better as it went along. Though there’s still plenty that went over my head with the not-well-enough-explained medical terms, I did feel like I ended up grasping more than other such “for the masses” medical books. Maybe it was the word use, maybe it was the tone. Perhaps the experience he has from the podcast makes him seem more approachable here too. Still could have been better, though.
3/5

Cloudia & Rex
A strange graphic novel that doesn’t do a good job of explaining things. It goes from a quick intro about a human family moving to a new city straight into gods—particularly Death—and annihilation, with some Aztec warrior-looking creature as the bad guy, both powerful and psychologically slimy. But without any attempt at explaining, it lost me right away.
Thankfully it had plenty of funny moments. For instance, it’s not just looking at phones that causes car crashes; it’s trying to swipe them from your teenage daughter in the back seat too.
Best line: “We are trapped inside of a teenage girl.” Words no god ever wants to say.
Other winners: “I am quivering in irony.” And “Where the heck is my superhuman mom strength? I’m supposed to get braver and stronger when my child is missing!”
That is the least scary Death ever. Plushies of him would sell out.
The ending is so Wrath of Khan, but everything else is so confusing. Lots of color, plenty of humor, but I wish I hadn’t bothered trying to understand the story.
3/5

Rough Riders Volume 2: Riders on the Storm
When a secret cabal tries to take over the world in the late 1800s/early 1900s by fronting the anarchist movement, it takes someone like Theodore Roosevelt to gather an elite unit of famous/semi-famous commandos to stop them. And apparently it’s for the second time, though I haven’t read the first volume.
When a story starts right off with the assassination of McKinley, it’s normal to wonder if Teddy might be behind it. I didn’t know Jack Johnson; considering he was a boxer, that’s not surprising. All the other characters are familiar. . . well, not Monk. Some of the tech is steampunk, but the eye scanner goes way beyond that. (Ah, got it. Again, didn’t read the first volume.) Annie Oakley is drawn much more attractively than in real life, but then that was the usual in the early days of cinema.
I’m not going to give you the context to this, because it’s just as delicious. When Edison screams, “I’m a national treasure!” the only reply can be, “We should drop you (off the train) just for saying that.” Yep, this just plays into everything I hate about Edison. This is also why Tesla is more often featured in fiction. . . and why I loved the moment when he mistook the priest for an admirer. That goes double for the surprise villain at the end.
“You couldn’t handle this even if I came with directions.” Okay, I officially love this Annie Oakley, especially when she ogles the guys as they strip and still beats them swimming.
Totally unbelievable for so many reasons, but enjoyable.
3.5/5

Unicorn of Many Hats (Phoebe and Her Unicorn Series Book 7)
My fave unicorn—and that’s saying a lot—and her human sidekick are back quickly after a new original graphic novel not long ago. This volume doesn’t contain a whole story like that one, but does appear to be all-new material—none of them seem familiar to me from the daily strip, anyway—in, I’m guessing from the size of the panels, Sunday format.
I can’t believe someone as geeky as her dad complains about all electronic devices being the same shape. Will you ever see an apostrophe—rhyme!—riding a unicorn car again? But the best thing of all: we finally get to see Marigold’s house!
At this point there’s nothing much left to say. This is easily my favorite comic strip, and one of the best ones out there. Even though it isn’t a complete new story like the last one, it’s still the same ton of fun as the others.
4.5/5

Casey and Aon – A Cybersafety Chapter Book For Kids
Young geek gets a new robot that he has to train. The robot doesn’t know much yet, wondering what’s in the ketchup tube, for instance. But at least he cleans up his messes, even if he doesn’t know what a reflection is.
Once on the tablet the curious robot wants to check everything internet-y, with the kid stopping him and explaining why he shouldn’t, which is the gist of this book. The kid speaks well above his age, and some of his words will probably need explaining to the young readers, but the book does impart a good dose of caution that even a few adults could find of value.
Huge chunk at the end dedicated to glossary, discussion points, and so on.
3.5/5

Firefighters and What They Do
I do love it when a title tells you everything you need to know.
This book is mainly made up of drawings that show the equipment and how it’s used. Most kids probably don’t realize firefighters do more than just put out fires.
Ends with a little maze game.
Really simple, as in preschool, in fact it says it’s for toddlers, so believe them.
3.5/5

Take a Look. More Fun Together!
A bear is asked if he’s alone, and he looks to be, but turns out he isn’t, according to the words and then the next page. Same with a rabbit, and so on.
At first glance the artwork looks strange, with plenty of spaces that make the whole look uncentered. Turns out there’s a good reason for that, but I won’t spoil it. Some of the changes are pretty clever.
A fun timewaster for kids.
3.5/5

The Mutts Spring Diaries
Another volume about a dog and cat—with a lisp—who are best friends and do everything together. This one was more educational than the one I’d read before, especially when it comes to pet adoption, but I still find it hard to tell them apart.
To my groaning amusement, I really liked the snapping turtle pun
“Meow.” “What kind of accent was that?”
“Veni vidi oink.” Simple joke, but effective.
It sucks when you can’t get a song out of your head, doubly so if you’re a bird.
A lot of the Sphinx’s lines are old Benny Hill jokes.
These are very simple lines and drawings, which remind me of Peanuts in a way. There’s a cute innocence to these characters, like when the turtle is mistaken for a talking rock. The guard dog is not the biting type, but he can Riverdance.
My absolute favorite is the bird on a piano.
4/5

;o)

Graphic Book Reviews: Dolls, Unicorns, and Bond Buddies

How to Be Perfectly Unhappy
This book argues—for a surprising amount of pages—that there’s a whole spectrum of emotion between happy and unhappy. Fair enough, but it’s a lot of pontificating on what’s really a simple theme. And yet it’s oddly captivating, especially the comparisons made to Pluto and an alien having fun making colorful walls.
“Stay-in-the-same-placers.” I do love new words.
It argues that “meaningful” and “compelling” don’t make for happiness, but it’s what some of us like to do anyway. He uses running, reading books, working as examples of things that don’t make him happy but he enjoys doing. (I’ll go along with reading.) “I’m not unhappy. I’m just busy. I’m interested.”
Some of the artwork is cute, but it doesn’t add much. . . except for the colorful wall. That was pretty awesome.
3.5/5

Laser Moose and Rabbit Boy: Disco Fever
In this story, talking animals play superhero in a universe where chickadees are more evil than wolves, and eagles are afraid of spiders. That, along with fish landing on the windshield, is why the super pair are avalanched by a cargo of disco balls.
Running is always plan B, but yeah, it should be plan A.
“Sorry, Frank.” Yeah, keep your lasers to yourself.
Squirrel claws to the ass will defeat all superheroes.
“You’re really cheesy, but you’re right.” Howz that for a moral?
At the end the good wolf explains why dancing is good for you. . . and then Rabbit teaches disco, with moves even I haven’t heard of.
With a disco ball giant robot, nothing is too ridiculous here. Incredibly silly, but all the better for it.
3.5/5

Quiet Girl in a Noisy World: An Introvert’s Story
As always, I love it when the title hits it right on the spot.
I thought the cover showed some kind of sea monster, until I saw the girl peeking out from under the blanket.
In a strip-like storytelling, a young woman in college goes through everyday stuff from an introvert’s point of view. Being an introvert myself, I understand a lot of these. On the other hand, some go a little too far. The total lacking in self-confidence would be a different thing than simple introversion, wouldn’t it?
She has the best boyfriend an introvert could possibly have, who then turns into a husband. After finishing her dissertation and the stressful wedding comes the first real job. . . not exactly what you’d expect from someone who just got an advanced degree.
Oddly enough, she’s such a sweet person I wish I could get to know her better, all the while knowing she wouldn’t want to.
She apologizes to boxes. . . empty boxes.
Some genuinely funny moments, others quite touching. I don’t know if it’ll make extroverts more understanding, but it’s worth a try.
4/5

James Bond: Felix Leiter
A post-shark-encounter Leiter is in Tokyo, working for the Japanese to identify an old enemy/colleague/lover who’s off the grid. There’s a flashback with Bond, and then we find out why Tiger didn’t keep his end of the bargain in helping to catch his gorgeous adversary.
“You had me at ‘Not the French.’”
About halfway there’s a major plot twist that, quite frankly, was easy enough to guess. Though the story doesn’t actually end in a cliffhanger, there’s enough left unresolved that you’d certainly expect a sequel, especially when there’s a character like Alena to write about.
Tight hands and sphincters are a necessity when you’re pretending to be James Bond.
Too bad the writer made what was a proud character such an idiot, as he admits plenty of times. Then there’s the serious inferiority complex. It’s one thing to make the protagonist complicated, quite another to make him seem like a butt monkey.
Brightly painted poppy fields are a sharp contrast from Tokyo, which has a Blade Runner vibe. . . or maybe it’s all the rain. Florida is also brightly lit, but Helsinki looks like an impressionist painting.
There a whopping 35 pages of extras! Variant covers, author interview, and what looks to be the entire script of the first chapter.
3/5

Dollface V.2
The first volume wasn’t written all that well, but I remember enough funny moments from it to give the series another try. This time the three take a portal to El Lay and land just a few blocks from a witch. . . but not just any witch. This one’s a baby-eater. Dollface flattens the clinic she’s in, thereby killing a lot of innocent people.
At Venice Beach she lifts weights, joins a drum circle, plays volleyball, and makes other women jealous. But of course the bad guys aren’t dead yet. And even more of course, the innocent character gets killed.
“You killed my family! Prepare to die!” Why does that sound familiar?
The giant fight scene was so difficult to follow. The artwork is so angular, much like Dollface herself.
Despite some early fun, it turned into as much of a gorefest as the first one. At some point it just stopped being fun and felt more like work. Emily’s reaction was strange as well.
The artwork is brighter than most.
2/5

Be a Unicorn & Live Life on the Bright Side
As always, I love a title that tells you everything you can expect from the book.
There’s not much more to say about it. Everything is positivity, puppies and rainbows. “Eat the cake, but also eat the kale” kinda stuff. All pretty simplistic, but I imagine people often forget.
“Unicorn loves to feel the rain on his cheeks.” No, not those. . . okay, those too. And there’s an obligatory Trump joke, though a mild one. Some jokes are literal, like looking at the bigger picture. Then you get what you’d never thought you’d see, a unicorn on a stripper pole.
The artwork, especially the unicorn, is pretty rudimentary, though he does have the multi-colored horn.
3.5/5

;o)

Book Reviews: Graphically Challenging

Wonder Woman Vol. 3: The Truth (Rebirth)
First and foremost, don’t read this if you haven’t read the previous; you’ll be lost, because it starts with the wonderful woman all-out crazy in an asylum. How out of it is she? “I am so sorry you’re not real.” To start an issue, and especially a collected volume, with her having lost her mind. . . there really needed to be a “previously” here!
But even without that I found the story boring. For long stretches nothing happens; at times Trevor seems to be talking to her telepathically, which might be exciting to read about but fails in a visual medium.
Luckily there are some interesting moments, like, “He’s a Greek god! They’re track record with young women isn’t exactly progressive.” You’d think Diana would know better than to have tea with serpents. There’s a minotaur involved, which was the most interesting thing for a while.
“What say you come up to my virtual place sometime and I’ll help fix that credit score of yours, handsome.” Says something when the funniest character is the AI.
Wow, in the end it was a simple win. Bit anticlimactic.
I suppose this would have felt different had I read it before the movie. The story was way more convoluted than it needed to be, even without knowing the previous parts. It definitely moved slow in the first two chapters; in fact, my fave was the last. But there were a lot of cute little moments that kept me going.
Ten pages of alternate covers.
2.5/5

Water Memory
A woman and her daughter move into the clifftop house where she lived as a small child until her father died. There are legendary monsters involved, and a curse.
“Jellyfish tart?” After reading that, I had to go get some fresh air before I could continue reading.
I didn’t feel the suspense the authors were obviously going for here, but the historical aspects were fun. The mom/daughter bond is fantastic; they have a great relationship. I was feeling an Irish vibe, but that may be the influence of Song of the Sea, since there’s a lighthouse nearby. A sign is in French, but everything screams New England or Canada. In the end it turned out the sign was the clue.
The kid’s funny. After nearly drowning in a cave, lying on the beach as she recovers, she tells the scavenging seagulls, “Don’t even think about it!” Her explorations keep getting her into danger, as well as her belief in her “Total ninja stealth!”
The artwork has a dreamy romantic vibe, plenty of blue watercolor to symbolize the sea, except during the storms.
About a dozen pages at the end about the making of the book, how it originated, with some beautiful photos.
4/5

Spencer and Locke
A detective with a—possibly—imaginary talking blue panther as a partner look to solve a murder and kidnapping. That’s all the plot that’s necessary.
There’s a flashback to the detective as a kid, getting smacked around by his mom. This is in comic strip form; if you’re familiar with a strip about a boy and his imaginary cat, you know how this looks. Locke says Spencer has idiosyncrasies; sure, what talking blue panther doesn’t? We’re told right away about Spencer’s “condition,” so we don’t have to wonder about it the rest of the way.
Now for the fun stuff.
“Captain’s Log, Stardate. . .” That came outta nowhere.
Want to have a science-fiction interlude? Feed your protagonist a multiple-drug overdose. I get the feeling that dinosaur is gonna drop on someone. . .
Turned out to be a surprisingly easy, quick read. I enjoyed it despite some plot holes, which is not an easy thing to say when there’s a giant blue talking panther walking around. The psychology, his motivation for becoming a cop, was well done.
The italics were surprisingly hard to read. As for the art, there’s gritty urban landscapes, not quite film noir but close, as well as bright cheery childhood interludes. During the science-fiction portion it’s bold pulp-comic color.
Each chapter has extras: cover gallery, character designs, script pages, and so on.
3.5/5

If You Give a Man a Cookie
In the long tradition of “For want of a nail” stories, this one is just what the title says, all the repercussions of what a man will want if you give him a cookie. It’s full of clichés (none of which fit me, thankfully), considering not every man has a mustache or likes fishing.
From a guy’s perspective, I have to ask why she’s wearing heels when making cookies and generally just walking around the house. I’m trying not to be mean-spirited here, but I can’t help but think that’s exactly where this story’s coming from, which was likely done as a catharsis for the author.
I think the only opinion that matters here is her husband; hope he laughed, because I didn’t find much funny here.
2.5/5

Taproot
Sensitive florist is kinda crushing on a girl and getting advice from two friendly ghosts, one of whom might be in love with him. Plus he’s being poltergeisted by another. Then it flashes back a year to when they met in what turned out to be one of the strangest love stories ever.
I don’t know if it’s part of the story, but Blue is really androgynous. Until someone says “He,” I had no idea. And the reaper is a woman! A supernatural being who texts. A strange sight, a smiling skull and crossbones, is also present.
The epilogue was cute, but probably unnecessary, or at least anticlimactic. Despite its length it’s a quick easy read. Though the colors at first seem like muted earth tones, in actuality they’re quite bright. Don’t like the way Chloe’s drawn, though; her facial expressions are just weird.
3.5/5

Tyrannosaurus Ralph
Teen skateboarder is about to be crushed by a bully with a tuba—aka honk-kazoo—then has to be rescued by a barrio inventor, who puts his brain into a t-Rex so he can save the planet by participating in an intergalactic gladiator competition. Got it?
Best named alien: Lord Knuckle-Dragger. Best line: “I don’t think the red food likes you. It’s trying to get away.”
I love the faces drawn on the scared dinosaur; not exactly king of the giant lizards here. And his versions of “Yikes!” are “Oh crudsicles! Crud monkeys! Crud crumbs!” Sensing a theme. . . but you gotta draw the line at “crud-waffles.”
Lugnut has to be the most submissive human being ever to refer to himself in the third person.
I would have liked to see Joona’s story instead. It was okay, though went too far into silly at times. The big fight was surprisingly entertaining, but his lack of emotional control got tiring quickly.
Seven pages of extras.
3/5

;o)

Book Reviews: Graphic Heathens and Passions

Britannia: We Who Are About To Die
In what seems like a small prelude but isn’t, a young slave girl is about to be raped, but like me notices the knife nearby and kills her attacker. In the meantime there’s a new cult in Rome that the rich kids are joining, only some of them are the ones being sacrificed, so the world’s first official detective has another case, and this time doesn’t have to go all the way to Britannia to solve it. Eventually it gets personal. . .
Good of them to have recaps before every issue; every comic should do that.
This story is not as strong as the first one, but then it’s more about the moments. With the Wonder Woman movie and especially the way women all over the world are responding to it, it’s amusing to see the same thing happening in Ancient Rome with a female gladiator. I don’t remember ever reading about any such archaeological evidence found, but it wouldn’t be surprising to find there were hucksters like the one here outside the Colosseum, selling souvenirs. My favorite line had to be “By Mithras!” Having studied that cult, it made me laugh.
The last part is “silent,” which makes it more intriguing. Too bad it took him long enough to realize who, or what, the bad guy was, which was a letdown.
3/5

Heathen V.1
Aydis is the heroine of this story, clad in a bikini under a fur coat out in the snow. She’s telling stories to her horse—not so farfetched, as it turned out—as exposition about her quest, which is to save Brynhild—as the chief Valkyrie is spelled here—and maybe kiss her. But of course things are never that easy, especially when mythological creatures are involved; in her case, she might be lucky that becoming a plaything of the gods is the worst thing that happens to her.
It doesn’t take long to find some hilarious characters, in this case the two wolves who bicker like an old married couple. “I liked him.” “Me too. I’m glad we didn’t eat him.” The horse they’re talking about, Saga, might be my fave equine of all time, even if he’s described thusly: “Oh that’s right, you’re not the flying kind of horse, just the annoying kind.”
Best line: “Let’s walk off that stutter.”
Norse mythology is a bit different than usual here. This Freya, for example, reminds me of Aphrodite—playful yet plotting—when the two goddesses of love are usually so different. And just because I’ll never have another chance in my entire life to say this, “Don’t hate the Freya, hate the game.”
The cliffhanger did its job; I want more. This was thoroughly enjoyable; I liked just about every character, except for some of the gods. The artwork is not typical, somewhat like sketches that have been watercolored, but it works well with the stark landscapes featured here.
About 10 pages of other covers to finish things off.
4/5

Lady Mechanika: La Dama de la Muerte
Fair warning: I HATE the Day of the Dead. . . or better to say it scares the crap out of me. The scariest night of my life was one of these festivals on the tiny island of Janitzio in Lake Patzcuaro, in the state of Michoacan in Mexico, where this whole thing originated. So I’m gonna try really hard not to let that affect me, but I doubt I’ll succeed.
A curandero—think witch doctor—leads Mechanika to a small Mexican town on the night of the festival. Among the people she meets is a little girl who’s incredibly adorable. . . when she’s not in skullface. As I’ve mentioned in previous stories, it’s amazing how good she is with kids.
This is a weird story in a literary sense as well; by the end of the first issue she would have usually been in a few fights, and the villain introduced. This time it doesn’t happen till much later, with everything before it some sort of exposition, either hints at her reasons for being there or the author delving really deep into the traditions. For example, “Life is only a dream, a temporary holiday. Every minute here is a gift.”
As always there’s a few fun moments, usually at the Lady’s expense. For one, we see her dancing, which is so out of the ordinary for her that it’s pretty shocking. She has been to fancy dances back in England, but that was undercover; this time she had no other reason to do it but to enjoy herself, and it actually looks like she does.
Best line: “She threw a tortilla at him. . . and he ate it.” I can picture him catching it in his mouth. And I find it completely hilarious the local catholic priest is also engaged in this pagan heresy ritual.
But the one thing I’ve always hated about these stories is how many innocent people have to die so Mechanika can learn a lesson or feel the urge of revenge. This one ramps it up to 11; I’m mad at the author for making me care about all those people and then wiping them all out for no other reason than to send the Lady on a rampage. Feels almost like a betrayal.
Toward the end it more than makes up for the lack of action early. There’s quite a bit of her backstory early on, but none of it is in context. No surprise she spares the last guy, seeing herself in him, but as far as her development, that’s about it. This was so completely different than the previous stories it hardly feels like the same character; for one thing, she didn’t get to play dress up more than once.
Despite an abundance of colors that are actually quite typical if you’ve ever traveled through Mexico, most of this story takes place at night, and there’s green phosphorescence everywhere, so artistically it’s not as interesting as the previous editions.
A few pages of covers as usual at the end.
3/5

Grand Passion
A Bonnie and Clyde-type pair of thieves hit the same town over and over, always disguised differently so that they’re never recognized (narrator knows well enough, though). They even have sex on a bed of stolen money every time. One day their luck runs out and during the shootout, as they kill each other’s partner, the newly widowed cop and the female half of the duo fall into instant lust. But because he killed her partner, she has to get revenge no matter how much she wants him, because some code expects her to.
It’s one thing for the characters to speak in accents, but here the narrator does as well, and it’s annoying; perhaps it’s a case of the British writer overdoing it. The sex scene is all kinds of weird, yet it makes sense in the twisted perverted logic they’re using. This cop may be upstanding—unlike the others, it’s made clear long before it becomes a part of the story—but he’s an idiot. Doesn’t matter how “in love” he is, he loses situational awareness way too often in the gunfights. But calling it “The Battle of Buttercup Lane” is all sorts of awesome.
Best lines: “That. Is. Insane.” “Yeah, I know. Welcome ta “Me.’”
Didn’t love this—that last twist was no surprise at all—but it had some humorous moments amongst all the darkness. As a police procedural it’s lacking, but then what can you expect from a “one good cop” story where even he doesn’t turn out to be so good after all?
There’s over 20 pages of bonus material, including sketches and scripts, one of which describes the solo “making love on money” scene, with the author telling the artist, “This’ll be a fun page for you to draw.” Hope it was true.
3/5

Pathfinder: Worldscape V.2
After a couple of unexplained battles where he doesn’t do nearly as well as he’d hoped—“Not gonna lie. Glad no one was around to see that”—a warrior ends up fighting in the arena against all kinds of monsters and hot babes, with his last challenge being the one and only Red Sonja. His snark of “I’m guessing they don’t call you Red because you embarrass easily” comes off just as well as you’d expect. In the meantime his friends have their own adventures in this strange universe, with all the stories eventually converging at the end, but not before other famous mythical characters show up, especially John Carter and Tarzan.
As a lifelong fan, I have to say this is the worst representation I’ve ever seen of Red Sonja, both physically and character-wise. That hair. . . she looks like she went to a stylist in the Deep South.
Best line: “Who names their planet after dirt?” Like this green guy, I’ve had the same thought. Second best: “I do like a girl in leather,” said by another girl.
In the second issue there’s a ton of backstory that hits you like a school bus—yes, there’s a reason I use that simile—all at once. But despite all this exposition, the whole thing was simply too confusing to grasp. So many sides, too many people fluid in their loyalties. . . the only way I could eventually get through it was to stop caring. It’s fair to say this would be a lot smoother if you’re familiar with these characters, either through previous editions or the role-playing game this seems to be based on. As this was my first venture into this universe, I’m sure I failed to grasp a bunch of points throughout.
Oddly enough, in the 50 or so extra pages Sonja looked a lot more like her old self. The last 20 pages are stuff like stats and stories for the role-playing game.
2.5/5

;o)