As I walked out with the gorgeous blonde, I said, “If you guys don’t hear from me by tomorrow. . . tell everyone on Facebook and Twitter.”
A Murderous Storm
This is a murder mystery in the northern part of Germany—wasn’t sure if it was Deutchland or Dutchland for a while—told in first person, where in the first scene the three fishermen are listening to and talking about Johnny Cash; that was pretty jarring. To make it more strange, the three shrimpers are a retired doctor, a retired lawyer, and one guy who might actually be a fisherman, or just typical muscle. Anyhoo, they pull a body up in the fishing net, and the cops don’t want to do the work, simply calling it an accident, which offends the first person lawyer, especially when the victim’s sister asks for help and she’s too hot to say no to. This leads to a conspiracy involving a huge corporation and a big-time merger, and a dirty corporate guy who can’t handle his war-criminal “bodyguards.”
The story had some entertaining moments, though how some of these characters survived is beyond me. I think the author might have made the cops TOO stupid, unless of course they’re actually that corrupt. The main character’s daughter shows up, which will be good for some plot points later, but basically shows just how stubbornly stupid one person can be, though the acorn was too lazy to roll too far away from the tree, considering just when you think it’s all over the protagonist gets into trouble again. My favorite character was actually the dog; I think it was the smartest living thing in the story.
The best part of this novel was the settings; though I’ve been all over Germany, even relatively close to where this takes place, the starkness of the landscape described here is not something my camera has photographed. It’s different on the resort island, which is one of those places like Mackinac where motorized vehicles aren’t allowed. But most of all, the portrayal of the storm, and finding the victim in the middle of it, was the highlight.
Slush Pile Brigade
An Australian novelist, said to be second most popular author in the world, steals a manuscript from the slush pile in his agent’s office when he has writer’s block. He picks the right book, because he turns it into a best seller, but more importantly he picks the wrong book, because three years later the writer who was plagiarized comes looking for an apology, setting into motion a chain of events that brings death and destruction to everyone’s world, especially the agent’s.
The protagonist loses his job and girlfriend–she actually brings a new guy to same restaurant he always took her to–not cool, girl. He snaps and is forced to run from the police to Noo Yawk, where he plans to confront the agent, and the author who happens to be in town. Before it’s over his deep-CIA father, a Russian mobster, his three best buds, and the girl from his past that got away are sucked into the conflict as well.
Though Noo Yawk is one of my least favorite cities, the author showcases it lovingly, citing some old famous buildings as well as plenty of Central Park; my favorite was the walk through the dinosaur area in the museum, which fit the conversation perfectly. Big twists abound, like when he find out his father’s involved in the whole mess. The first half is more comedic than anything else, and it’s fun to read the shenanigans, in a butt monkey kinda way. But then it gets serious spy in a hurry, with people dying or being maimed, and some maybe dying or maybe not.
There was one part that annoyed the hell out of me. Not wanting to spoiler—is that a real verb?—suffice to say that the protagonist finds himself in trouble that wasn’t foreseen, but ends up surviving it differently than we were led to believe. Perhaps the author merely wrote in the wrong body part that exploded, but how he survived wasn’t explained, and as you can see I’m still irritated about it.
Some of the dialogue by the lesser members of the brigade is somewhat over-the-top, but mostly it’s well-written, with some descriptions shining, like, “But it wasn’t really like laughter at all. . . more like Kodiak bears groaning while shitting.” I do hate the author for that last twist, though. . .
This graphic novel starts with an inept mailman, who gets himself into all kinds of trouble, actually being the scout for a group of home-invasion thieves. The actual first page tells you the story of Los Angeles’s full name—too bad I already knew it—but sets the tone nicely. One of their targets turns out to be the house of a not-stable Hollywood prop master and monster maker, except not everything is a prop. . .
What I thought would blow up into a monster story turned out to be much more psychological, with an evil Frankenstein twist. The three male thieves are pretty dumb; of course it’s the girl with all the brains. I did enjoy how the story delved into everyone’s fucked-up origin stories, which made what they did all the more understandable. No one is more fucked up than the monster maker, though, and the story treats him well enough that you feel some sympathy for him even while he’s tormenting his adversaries and sacrificing women for his true love.
Bruce Campbell makes an appearance!. . . almost. The artwork is good, but nothing special, except for maybe the hot chick with the Kermit tattoo. There’s some well-included extras at the end, giving a cute background on how the story was thought up—originally set in London, which would have necessitated a different opener—and containing plenty of unused drawings, even a recipe from the bad guy’s “girl.” Some genuinely funny moments keep this from sinking into too much despair, but it’s still as dark and horrifying as expected from the genre.
Turned to Stone
An art history mystery—rhyme!—taking place throughout Spain and Italy, this story delves into the provenance and magical powers of a statue of the Greek myth of Medusa, and how some people will do anything to possess it.
Oddly enough I found myself enjoying it early on despite not caring for the protagonist; Jaime’s too much of a jerk to be likeable. Of course that changes later as his character develops, but I never really got to the point where I liked him, and liked Paloma less for the fact she was infatuated by him. His best friend, on the other hand, is a hoot, a former photographer now a security guard who doesn’t find anything weird in dressing up like Batman in order to get the job done. There’s plenty of other characters, most of them just serving a purpose, though some of them coming back at the end to show they’re not at all as expected. I was a bit miffed that the author drew such a fascinating character as the new art expert—gorgeous blonde, of course—and then quickly killed her off.
The bad guys were well-drawn, although Rosa—or whatever her name happened to be that day—seemed to slide back, being a complete badass at the beginning and ending up rather useless by the end. There’s also the henchman who just won’t die no matter how much you best him or beat him up, always showing up at the worst possible time. We also get the evil genius behind the curtain, and how he’s destroyed his family in his quest for money and revenge, which almost makes me sorry for Rosa but not quite.
The reveal of why the piece is so important, about two-thirds of the way through, was fascinating and well done, the best moment art-wise in the book. But it’s the hilarious image of three people struggling not to fall off a motorcycle that will remain with me forever. . .