Marina V Concert Photos 171112

So it took me two and a half weeks to get through the over 500 photos of the concert, in a new and dark venue with a ton of tech difficulties. Maybe that’s why. . .

She really thinks she’s a unicorn

Too much alcohol or band out of tune

Someone forgot the lyrics

Somewhere in Liverpool in the 60s. . .

Shannon Hurley pretending to be Ben

Ben Eisen pretending to be Shannon

;o)

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Travel Thursday: A Quick Recap of the Weekend

I always thought the best definition of serendipity was one used on the Max Headroom TV series: “Digging for worms and striking oil.”
But here’s an even better one: “Serendipity means looking for a needle in a haystack and finding the farmer’s daughter.”
Oh yes, please. . .

Okay, Saturday found me in Pasadena’s imposing main library. Thankfully all I had to do was walk two blocks to catch the bus that left me right in front of the library, which was good because as usual it was late and I got there just before Marina V went on stage, barely enough time to get my camera out and hope the new faster lens could deal with the strange lighting behind her. . . though obviously it did well enough, as you saw from the photos two blogs ago. . . yeah, go to the bottom of this one, skip the poem, and there they are.
Set list:
1 Ghost Wandering This Earth
2 I’ll Be All Right
3 You Make Me Beautiful
4 Run
5 Neil Diamond in Russian
6 Say Hello
7 Stand
8 Light Up the Dark
9 Speak

1 Ghost Wandering This Earth
Haven’t heard this one in years, seemed longer than usual. Marina teased Nick about being a blonde with a master’s degree. “You don’t see that often.” To which he promptly replied, “You didn’t say what it was in!”
2 I’ll Be All Right
I don’t remember now why she mentioned it, but she did say she was wearing sports shorts under her relatively short blue dress. No further comment necessary.
3 You Make Me Beautiful
This usta be my fave, before the next one came along.
4 Run
Yay for little cameras with video capabilities and relatively steady hands!

5 Neil Diamond in Russian
Not a fan of his in any language. Nuff said.
6 Say Hello
This one took a while to start, as they were confused as to location of the tambourine, which was supposed to be in the bag. . . except Nick had already taken it out and put it under the piano. And conveniently forgotten. Marina also mentioned how cushy the seats were, “like grandma’s couch.”
7 Stand
For being overly dramatic I still like this one.
8 Light Up the Dark
Pretty sure this is my first time hearing this one live.
9 Speak
I think this has become her official closer.
Didn’t stay long, still having stamina troubles after the nose surgery.

Sunday
Just like the last time I attended a performance at A Noise Within, the bus came late and I actually arrived at the back door after it was scheduled to start. On the other hand, going to previews, which are a lot more relaxed as far as time is concerned, mitigate that a little, so I had time to go to the front and pick up my ticket and even go to the restroom. . .
Today was Julius Caesar day. . . as in the play I was going to see, not the Ides of March. Despite being a Shakespeare fan, I don’t think I’ve seen this since we performed it in English class my junior year of high school; I still remember how a friend had written “Assinated” instead of “assassinated” in his notes. Good times. . .
The opening music was so overly dramatic I instantly hated it. Here it was a little justified as people walked around the stage handing each other cardboard signs, which at a predetermined point where placed before chests, bearing the names of the characters. This description was hardly worth how amazingly cool that moment was, but on the other hand the music did not get better. The industrial design, with plenty of scaffolding, didn’t do much for me either, though as the play went on I saw how ingeniously they used it and decided it was okay. The costuming left me mystified, though; those long fur coats weren’t enough for me to know exactly what time period this was supposed to be set in. . . and as usual I’m gonna keep on going to keep that participle from dangling off the cliff, since it’s afraid of heights.
Took a while for me to get into it; hesitate to admit it, but I might have nodded off for a few moments there. But at the assassination scene things picked up, and I didn’t lose interest from them on. As much as I had against the design and music, the lighting was incredibly effective, especially the handheld lamps. Another effective part was their use of the open area atop the seats, as well as the ramps between sections; this is the fifth work I’ve seen here, and all have featured actors walking or running through the audience, but this time it worked even better.
As expected, but even more so here with the acting, Mark Antony’s speech was the highlight. Later in the Q&A a lady mentioned she was a Brutus fan, but this performance put her squarely in Marcus’s camp. {The actor did seem to appreciate it.}
One thing I noticed all the more here than in other performances: the actors help move the scenery. No divas here; even in high school productions you don’t usually see that. I think it’s a nice touch for a company I have rapidly grown fond of, for much more than just the quality acting.
This being the first preview there was an after-show discussion, from which I remember these tidbits:
Iambic pentameter allows you to memorize easier, like when you listen to a song over and over and suddenly realize you know the words, or as I like to call it, osmosis.
This play brings out the absurdity of politics, even more relevant now. And this production’s based on Mean Girls, according to the chiefs’ daughter.
The best way to memorize lines, according to one of the actors, is to whisper them, so you don’t get any inflection on them when you haven’t yet decided how you’re going to play it. But the most important acting point is you have to love your character. . .
All topped off by a very late lunch/early dinner at Hook Burger. Yummy!

;o)

Marina V Pasadena Library photos

For the third time I can remember my musical buddy Marina V played the Pasadena Library. While the lighting wasn’t nearly the same as the outdoor show last year, she did mention how the seats are cushy–“like your grandmother’s couch” which beat the coffeeshop’s chairs by a few country miles.

Hmmm, she looks suspicious. . .

Hmmm, she looks suspicious. . .

!IMG_2511 !IMG_2592

Yay!

Yay!

!IMG_2622

Oh oh, she spotted me.

Oh oh, she spotted me.

!IMG_2635

Pretending the tam is a cell phone

Pretending the tam is a cell phone

!IMG_2679

Like you just don't care

Like you just don’t care

!IMG_2760-1 !IMG_2790

{BTW–400th blog. I feel old. . .}

;o)

Top 15 Songs of 2012

P.G. Wodehouse

To my daughter Leonora, without whose never-failing sympathy and encouragement this book would have been finished in half the time.

 

So. . . title is self-explanatory, right?

15. Halie LorenFeeling Good

As far as I’m concerned, Halie Loren is jazz.

14. Riddle the SphinxOne Man Band

A sad little paean which kicks up into rock ballad territory halfway. Showcases Christiane’s voice and pianowork, as well as Christo’s “world percussion.” He’s the only drummer I know who hits the cymbals with his hands.

13. Paulina LoganRoad in the Sky

Paulina is known for her sad songs of longing, but with the exception of “Shut the Door,” this is her hardest rockin’ tune, incredibly catchy as she sings about the “trip” she’s embarking on. . . and I’m gonna keep on going here just so I don’t end in a preposition.

12. Cindy AlexanderGrow Up

Not to take anything away from the verses, but Cindy’s strength has always been in the chorus–or as they call it now, the “hook”–and this song is another great example. The only other of my fave musicians who is such a master is Kari Kimmel.

11. Shannon CurtisBook of Fiction

If you subscribe to the theory of infinite universes predicated on every choice you make–or counter-factuals–this is the song for you. Still a love song, though; be warned. {Shannon is still giving away her entire new live album, at the link above.}

10. Scout SmithLoverboy

Everything you need to know about Scout’s voice and song-crafting ability is right here in this very heartfelt tune. Can get overly dramatic, but hopefully she’ll prune that as she leaves her teens.

9. Kat ParsonsLove Changes Everything

Kat-nip is the cutest little thing to hit the airwaves since. . . you get the picture. Whereas it was a bit incongruous to see that sweet face singing about her former lover on her last album, this song–and video–is so perfectly Kat. . .

8. Riddle the SphinxProfessional Pretender

After an unintentional laugh at the thought of a lawyer singing about a liar. . . I had no idea my buddy Christiane could craft such elaborate lyrics, or that she knew how much I love internal rhymes.

7. MeikoLeave the Lights On

If there’s anyone who could beat Kat-nip for the title of “cuteness personified,” Meiko is the challenger. Don’t remember how young she was when I first met her, when she was waitressing at Hotel Café, but I am in shock to find she’s in her 30s now, cuz she looks exactly the same. On the other hand, as much as I’ve loved her previous songs, this one shows her evolution as a crafter of fine tunes. One of the very rare songs I loved the first time I heard it.

6. Lindsey Yung—Hold

The music can get a little slow and ponderous, and Lindsey’s vocals go a bit drama queen–especially in complete contrast to her Scent of Summer–but in this case those qualities fit well with the lyrics and make the song what it is. {You can get a free download at her website—link is on her name.}

5. RushThe Wreckers

Sometimes it takes me 10 years to get into a Rush song; this one did the trick immediately. I supposed it helps that I understood what was going on in the lyrics right away, as well as the historical background of it. I specifically love the way Neil took a chance by making some of the verses with the same rhyme in all four lines, which is not easy.

4. Natalie GelmanLaugh So Hard You Cry

Speaking of emotional vocals! Natalie has a gift for converting real life into catchy tunes. Check out Streetlamp Musician and The Lion as well.

3. Riddle the SphinxSkies of Aleyeska

Five or six years ago I heard Christiane solo this song at a Borders, and never heard it again until this CD. You can almost transport yourself to the tiny island–Scotland or Ireland, I forget–although I imagine most women wouldn’t find it a compliment to have their blue eyes described as “glacier.” That fact, as well as having been on quite a few of those desolate islands, gives me a chill every time I hear this song.

2. Far Beyond FrailA Changed Man

Speaking of loving a song the first time. . . This duo has always been fantastic with music and vocals, but this time it’s the lyrics that shine the brightest. I can hear the anger and frustration in Sharilynn’s every note as she divests herself of the man she can no longer love. . .

1. Marina VRun

Vaguely stalkerish in the most catchy way; in fact, she almost makes the stalker seem sympathetic, especially if it’s her in the role. If you listen closely there’s a touch of wurly-like keyboard that lightens the tone a bit.

So this is the second time in three years that Marina V has taken the title of my fave song of the year. Wonder how she does it. . .

;o)